BERCKMANS, Roger. Liqueurs Severy Hasselt. Brussels: O De R...

BERCKMANS, Roger. Liqueurs Severy Hasselt. Brussels: O De Rycker, ca. 1920s. Poster advertising Severy’s gin, advocaat, and crème de menthe liqueurs with an illustration of a dancing woman

China Ligne de Lunghai. Album des monuments antiques le long du Lunghai. Mit 40 Photographien. o.O., o.D. (Um 1930-1960). Lwd. Vgl. das Exemplar der National Art Library (nur Kopie nachweisbar) (hier

DAVID TENIERS THE YOUNGER (OR WORKSHOP) 1610 Antwerp - 1690 Brussels THE ROUND OF SKITTLES IN FRONT OF A PEASANT'S HOUSE Oil on canvas (old relined). 46 x 61 cm (F. 66 x 80,5 cm). Remaining signature

CHRISTOFFEL JACOBSZ VAN DER LAMEN (ALSO LAEMEN) Ca. 1607 Antwerp or Brussels - ca. 1651 Antwerp NOBLE SOCIETY, PROBABLY ABOUT 1640 Oil on oak panel. 47,5 x 63,5 cm. Partly old rest., old retouching. F

Original Grey Hammertone Visoflex Iii With Matching Prism For Grey Md, In Near-Mint Condition, 6 O'Clock Cutout On Flange (Purpose Unknown), See 'Lager Vol.I' P.221, Wilhelm Albert 'Geburtstage Der Le

Basaldella, Afro o.T. 1972. Farbquatintaradierung und -serigraphie auf Fabriano Rosaspina. 73 x 73,5 cm (94,5 x 95,3 cm). Signiert und nummeriert in Graphit. In der linken Ecke mit dem Blindstempel "S

Including- (1) R L France Le Jade Roger Et Gallet Paris, (1) Lalique, (1) Babani Ambre de Delhi, and (1) Guerlain Paris bottle. Height- 2 1/4" - 6 1/4"

Roger de la Fresnaye (French, 1885-1925) - Femme Nue Couchée Oil on canvas 26 ¾ x 41 ¼ in. (67.9 x 104.8cm) Executed circa 1910. Provenance Galerie Maurice Robinet, Paris, France. Galer

ROGER DE LA FRESNAYE (FRENCH, 1885-1925) STILL-LIFE PAINTING, oil on canvas, very fine composition of fruit, bowl, and bottle on a table against an abstract geometric background in the Cubist manner,

Signed lower left and dated 1874. Very good professionally restored condition with overall paint crazing, having no rips, holes or repairs. Canvas size approx. 11" x 17". Sight size approx. 10 1/2" x

Pierre Jan van der Ouderaa (Belgian, 1841-1915) Foor in de Oude Buers te Antwerpen signed and dated 'P.VANDER OUDERAA/Antwerpen 1892' (lower right) oil on canvas 138 x 203.5cm (54 5/16 x 80 1/8in).

Planetarium Millennium 2000 model, Nr. 24, case is 41 mm. in diameter, on leather band.

Rotterdam: Abraham Migoen, 1610. Small 4to, second edition, many woodcut illustrations (no volvelles are called for in the second edition), 17th century vellum, early ownership inscription (dated 1676

Millennium 2000 model, number 004, case is 41 mm. in diameter, on crocodile band.

A. R. PENCK (1939-2017) Der Theoretiker V 1996 signé et inscrit e.a. acier inoxydable signed and inscribed e.a. stainless steel 34.3 x 40.2 x 9 cm. 13 1/2 x 15 13/16 x 3 9/16

Het Groote Tafereel der Dwaasheid, vertoonende de opkomst, voortgang en ondergang der Actie, Bubbel en Windnegotie, first edition, 74 engraved plates only (of 76), many folding, printed on various pap

Ludwig Mies van der Rohe (German-American, 1886-1969) Pair of Barcelona Lounge Chairs, Gerald R. Griffith, Chicago, USA chrome-plated steel, leather unmarked H 28 3/4 x W 29 1/4 x D 29 1/4 inches Prop

Richard Joseph Anuszkiewicz (American, b.1930. "Der Spiegel Portfolio: Six Seriypien" - 1965, six serigraphs on Schoellers Hammer Karton paper board, limited edition of 125 (edition numbers noted on t

Olivier de Schrijver Comme Chez Vous Art 4 chairs, model Ode a la Femme. Draft around 2000. Limited to 240 copies. Organically worked mahogany wood. 86 x 64 x 62 cm. Marked on the underside with brand

Roth, Joseph Der Antichrist. Mit hs. Widmung des Autors. Amsterdam, Allert de Lange, 1934. 248 S. Gr.-8°. OLwd. mit goldenem DTitel und RTitel (etwas berieben und lichtrandig). With autograph. De

2/6, 45 cm. tall.

Niek van der Plas (Dutch, b. 1954), "Cafe de Flores", oil on wood panel, signed lower right, 11-1/2" x 19-3/4". Framed.

HANS ZAZTKA (ATTR.) 1859 Wien - 1945 Ebenda ALLEGORIE DER VERGÄNGLICHEN SCHÖNHEIT Öl auf Leinwand (doubl.). 73,5 x 92,5 cm (R. 87,5 x 106 cm). Min. rest. Rahmen.

PU RU (1896-1963) Ode to the Sound of Autumn Ink on paper, mounted for framing, inscribed by the artist and signed Xinyu, with two artist's seals Ming Yi and Pu Ru. 23 5/8 x 47 1/2in (60 x 120.6cm) th