ATTR STANLEY LINDWASSER Vertical Secondary Hues

ATTR STANLEY LINDWASSER Vertical Secondary Hues, verso reads ‘STAN LINDWASSER 2019’, subject a large acrylic on stretched canvas painting of vertically striped hues of vibrant mostly secondary col

ATTR STANLEY LINDWASSER Vertical Abstract MountainScape, signature to lower right reads ‘S 2011’, verso reads ‘2011 221’, subject an acrylic painting on stretched canvas of abstract mountains

ATTR STANLEY LINDWASSER Beach Sunset, verso reads ‘STAN LINDWASSER 2019’, subject a large acrylic on stretched canvas painting of horizontal striped hues of vibrant colors that resemble a beach at

ATTR STANLEY LINDWASSER Sunrise Horizon, verso reads ‘STAN LINDWASSER 2019’, subject a large acrylic on stretched canvas painting of horizontal striped hues of vibrant warm toned colors that resem

ATTR STANLEY LINDWASSER Night Time Beach, verso reads ‘STAN LINDWASSER 2019’, subject a large acrylic on stretched canvas painting of horizontal striped hues of vibrant colors that resemble an abs

ATTR STANLEY LINDWASSER Horizontal Pastel Tones, verso reads ‘STAN LINDWASSER 2019’, subject a large acrylic on stretched canvas painting of horizontal striped hues of pastel colors, measures 5 x

ATTR STANLEY LINDWASSER Neutral Toned Abstract, signature to lower right reads ‘S 2011’, verso reads ‘2011 222’, subject an acrylic painting on stretched canvas of abstract colors of nature, m

ATTR STANLEY LINDWASSER Colorful MountainScape, signature to lower right reads ‘S 2011’, verso reads ‘2011-220’, subject an acrylic painting on stretched canvas of abstract mountains crowding

ATTR STANLEY LINDWASSER Abstract Autumn Leaves, signature to lower right reads ‘S 2011’, verso reads ‘2011 219’, subject an acrylic painting on stretched canvas of abstract colors that resembl

ATTR STANLEY LINDWASSER Shadow of a Mountain, signature to lower right reads ‘S 2011’, verso reads ‘2011 213’, subject an acrylic painting on stretched canvas of abstract colors that run down

ATTR STANLEY LINDWASSER Horizontal Abstract MountainScape, signature to lower right reads ‘S 2011’, verso reads ‘2011 218’, subject an acrylic painting on stretched canvas of abstract lightly

ATTR STANLEY LINDWASSER Shadow of a Mountain, signature to lower right reads ‘S 2011’, verso reads ‘2011 213’, subject an acrylic painting on stretched canvas of abstract colors that run down

Stanley Lindwasser (American, 1947 - 2020). Pair of Abstracts, acrylic on canvas. Signed and dated lower right. Dimensions: 30 x 24" unframed Property from the artist's estate (STAN297/2)(EL)

Roman, Imperial Period, ca. 1st to 2nd century CE. A gorgeous, semi-translucent Roman glass vessel of golden amber hues with vertical canes of opaque white glass swirled throughout the drop-shaped bod

Roman, Imperial Period, ca. 1st to 2nd century CE. A gorgeous semi-translucent Roman glass vessel with a stunning sapphire hue with vertical canes of opaque white glass swirled throughout the drop-sha

George III Diminutive Bow-Front Mahogany Chest of Drawerslate 18th century, mahogany veneer, oak and pine secondary, top with vertical banded veneer edge, light wood line inlay highlight, three cock b

Chinese hardstone scholar's hair ornament, of celadon hue carved with vertical ribs and with a scroll pattern on the sides, with stand, ornament: 2"w. Provenance: private estate, Oakland, CA

(lot of 2) Vietnamese glazed ceramic tureens/bowls, Ly/Tran dynasty (12th/13th c), the first of pale celadon hue molded with vertical ribs and lotus in the well; the second with tall splayed sides wit

George III Diminutive Bow-Front Mahogany Chest of Drawerscirca 1800, mahogany veneer, oak and pine secondary, top with banded vertical veneer edge, two over two conforming cock beaded graduated drawer

A celadon bowl supported on a tall foot, with vertical low ridges in lighter hue, highly elegant sheen, includes a wood box. Height 3" Diameter 6"

DESCRIPTION: A Barovier and Toso Murano Glass lamp decorated with a vertical lobed body, infuse with Aventurine hues, fitted atop a wooden base and linen shade. electrified. CIRCA: Early-Mid 20th Cent

Chippendale bonnet-top mahogany chest on chest, attributed to Massachusetts, 18th century, white pine secondary. Upper section with bonnet top having carved rosettes and three carved urn and flame fin

Middle Tennessee beaten biscuit table or biscuit board, cherry primary, pine secondary with a marble insert. Triple ogee molded hinged top with nailed construction opening to reveal an inset marble to

Ink on paper abstract painting; signed and attr. Angus Martin (American, 1921-2004); 12 x 8.3/4 inch (30.48 x 22.23 cm). Agnes Martin’s earliest experiments with an abstract idiom were based on