Antq Full Color Plate Etching, Turkey

Marked on lower margin, Turkey, no.2. Marked on backside with history of the collection within the art. From Dickinson comprehensive pictures of the great exhibition of 1851. Etching depicts a collect

Antq, possibly vintage etching in full color. From Dickinson comprehensive pictures of the great exhibition of 1851. Marked India 2 margin. Depicts a warehouse filled with collections of armor, tapest

Antq, possibly vintage full colored plate etching lithograph, marked North Germany. With back Article about the history of north Germany and its connection to the Great exhibition. From Dickinson comp

Lot of 3 Antique sheet music plate etchings with illustrations. 1 reads Praise of Bacchus with music and illustrations depicting a group around a bust of Bacchus. 2 reads The Lamenting Proserpine, to

Marked Zollverein on margin, From Dickinson comprehensive pictures of the great exhibition of 1851. Backside reads an article of Zollverein Depicts the exhibition space with stall marked Zollverein mu

Full color landscape plate etching of a road with a large tree on the side and a cottage to the right side. Signed on lower right corner, Louis with surname illegible. Framed in wood grain frame with

Marked on lower right corner J.N.1854, margin reads Tunis I Depicts a market/ museum with stalls filled with hats, scarves and other goods and a center tent with fur on the top. Framed in a gold leaf

Antique, possibly, vintage full colored plate etching titled the Quorn hunt. Marked, drawn and etched by H. Alkem. Depicts various men on a hunt on horse back with hunting downs, with one man having f

Antique, possibly, vintage full colored plate etching titled the Quorn hunt. The death, Marked, drawn and etched by H. Alkem. Depicts the men from the hunt in red coats in a clearing with their huntin

Vintage possibly antique carved etching plate depicting the exterior of a European manor in full color. Carved from a hard composite material. Framed in a dark wooden frame, approx 17 x 21 inches wind

PSAUMES OF DAVID #2, 1979, color etching, plate 7 x 5 ¼”, full margins, frame 18 x 16 ½” with Plexiglas. Provenance: Martin Lawrence Gallery.

Lafitte, Alphonse (Manuel ROBBE) (1872-1936) French. Title unknown but location north shore of France. Color etching with aquatint. Plate line 19.5” x 11.75” and full sheet 22.75” x 15.25”. Ed

PABLO PICASSO (after)Intériour Rouge avec un Transatlantique Bleu.Color aquatint, 2 impressions, and 2 original copper etching plates, circa 1960. 405x325 mm; 16x12¾ inches, full margins. On

PROMENADE, color aquatint etching, signed in pencil, plate 18 x 26”, full margins, frame 30 ½ x 37 ¾” with Plexiglas.

STAGECOACH from La Nuit le Moment; FELICIA OU MES FREDAINS Series, two color etchings, each signed in pencil, plates 7 ½ x 5 ½”, full margins, both uninspected in plastic sealed ma

HOMAGE TO LINUS PAULING, color etching, singed in pencil, from the numbered edition 120, plate 20 x 14", full margins, framed with glass, colors possibly slightly attenuation, mild toning, otherwise i

CATHEDRAL PARK, color aquatint etching, estate signed in pencil, plate 13 x 8 ½”, full margins, frame 20 ½ x 16”.

Victor Marguerite. Francis Guillot Paris, 1936. Illustrated with 15 etchings in color after Edouard Chimot, signed in plate, in full page. engraved by Louis Maccard. Limited edition of 300 copies in V

Sue Jester WAITING, circa 2001, color etching, signed and titled in pencil, plate 23 ½ x 17 ¾”, full margins, frame 40 x 34” with glass; Leslie Snipes BEFORE WE GO INTO THE PAST,

(French, 1888-1950). Signed "Louis Icart" lr, windmill blindstamp ll, plate size: 21 1/4 x 13 1/2 in., full margins, framed

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby��

VENUS (Holland 355), 1928, color etching, signed in pencil, artist’s copyright upper left, oval plate 13 ¾ x 19 ½”, full margins, frame 24 ½ x 30” with Plexigla

THE BOMBARDMENT OF THE GETTY CENTER, 2000, color etching, signed and dated and titled and numbered 20/50 in pencil, plate 14 ½ x 35”, full margins, frame 23 x 44” with glass.

LES OH! TOMOBILES (S.306), 1972, color etching, signed in pencil, numbered 56/200, plate 16 1/4 x 21 1/2", full margins, framed with glass.