Antq J.N. 1854 Tunis I Full Color Block Etching

Marked on lower right corner J.N.1854, margin reads Tunis I Depicts a market/ museum with stalls filled with hats, scarves and other goods and a center tent with fur on the top. Framed in a gold leaf

Full colored block etching of flowers of the month of June. Marked June on margin and depicting a vase filled with different flowers with numbers corresponding to the names on the bottom half of the l

Rufino Tamayo, Mexican (1899-1991) Color Etching "Cabeza en Amarillo". Signed and numbered 37/75 in crayon. Full margins, measures 29" x 22", framed 37-1/2" x 30-3/4". Condition: Good condition. Estim

JOAN MIRÓ Fissures. Color etching and aquatint, 1969. 485x580 mm; 19x22 inches (sheet), full margins. Signed and numbered 39/75 in pencil, lower margin. Printed and published by Maeght, Paris. Fr

ANTONI TÀPIES Two prints. Esperit Català II, color etching, aquatint and embossing on Guarro paper, 1974. 436x630 mm; 17¼x25 inches, full margins. Signed and numbered 75/75 in pencil, l

ROMARE BEARDEN Jamming at the Savoy. Color etching and aquatint on wove paper, 1981-82. 418x599 mm; 16½x23 inches, full margins. Signed, titled and numbered 62/150 in pencil, lower margin. Printe

LOUISE NEVELSON Reflections IV. Color etching and aquatint on cream Copperplate wove paper, 1983. 1000x745 mm; 39x29¼ inches, full margins. Signed, dated and numbered 21/50 in pencil, lower margi

ERNEST CRICHLOW (1914 - 2005) Lady. Color etching and aquatint on Arches paper, 1987. 552x425 mm; 24x17¾ inches, full margins. Signed, titled, dated and numbered 22/57 in pencil, lower margin. Pr

Rufino Tamayo, Mexican (1899-1991) Color etching "Cabeza con Iniciales" on Guarro Paper. Signed and numbered HC 9/10 in pencil. Full margins, measures 30" x 22", framed 39-3/4" x 32-1/4". Condition: G

RUFINO TAMAYO Hombre en Gris. Color etching, 1976. 750x565 mm; 29½x22¼ inches (sheet), full margins. Signed and numbered 13/75 in crayon, lower margin. Printed and published by Ediciones Pol

OKUSAGA, 1986, color etching and aquatint, signed and numbered 89/120 in pencil, image 11 ½ x 11 ½”, full margins, frame 18 ¼ x 18 ¼” with glass.

PERFECT HARMONY (H.417), 1932, color etching, signed in pencil, copyright and date upper right, image 12 ½ x 16 ½”, blind stamp lower left, full margins, frame 21 ¼ x 24 &fr

WALL No 4, 1984, color etching and aquatint, signed and numbered 62/100 in pencil, image 18 x 13 ½”, full margins, frame 24 ¼ x 19 ¼” with glass.

YOGO SNOW, 1979, color etching and aquatint, signed and numbered 84/100 in pencil, image 15 ½ x 12 ¼”, full margins, frame 25 ¼ x 21 ¼” with glass.

JOAN MIRÓ Oiseau Entre deux Astres. Color aquatint, etching and carborundum, 1967. 695x565 mm; 27x22¼ inches (sheet), full margins. Signed and numbered 27/75 in pencil, lower margin. Printed

RED LAKE, 1986, color aquatint etching, signed and dated and inscribed HC (hors commerce) aside from the numbered edition of 45, printed by Efram Wolff image 13 ¾ x 16 ¾”, full margins

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby��

CONRAD MARCA-RELLI Two color prints. Composition IV * Composition XIV. Both color aquatint, etching and embossing on antique-white Guarro paper, 1976. Both 437x630 mm; 17¼x25 inches, full margins

Femme et Chien, Color aquatint, etching and roulette, 1924-25. 502x245 mm; 19 3/4x9 3/4 inches, full margins. Signed by Bonnard and numbered 109/200 in pencil, lower margin. Etched by Jacques Villon.

Solombre, Jean (French, 1948 - 2005), La Vie à Deux, 1984, color aquatint etching, pencil signed, titled, dated, and numbered 124/135, impression 11.75 x 11.5 inches, full sheet 30 x 22.5 inches, unf

untitled, on BFK Rives wove paper with full margin, signed, numbered 47/95, and dated 1968, image 29 in. (74 cm) x 15 1/2 in. (39.3 cm), sheet 39 3/8 in. (90 cm) x 24 in. (61 cm) 赵无&#264

RENÉ MAGRITTE L'Oeil. Color aquatint and etching on Japon nacré, 1968. 175x143 mm; 6x5 inches, full margins. With the artist's signature ink stamp and blind stamp, lower right, and numbered

JOAN MIRÓ Le Prophète Encerclé. Color aquatint and etching, 1965. 680x530 mm; 26¾x20¾ inches, full margins. Signed and numbered 10/75 in pencil, lower margin. Printed and publ

PETER DOIG Paragrand 2. Color aquatint and etching on Japan paper, 2013. 504x405 mm; 19¾x15¾ inches, full margins. Printer's proof, aside from the edition of 20. Signed, dated and inscribed