ANTONIO GARAGIULLO (Italian 19th century) Harem B

Antonio Falda (Italian, 19th Century) After Raphael Madonna with Child and Young Saint John the Baptist, 1876 watercolor on canvas signed A. Falda and dated (lower left) 41 7/8 x 29 1/2 inches.  

Antonio Bacci (Italian 19th C.) Seravezza Marble bust sculpture of female. Signed reverse Antonio Bacci Seravezza Dimensions: 23 1/2" X 12 1/2"

ParianPorcelain Figural Group after "Cupid and Psyche" by Antonio Canova (Italian, 1757-1822), 19th c., marked, impressed "2266", h. 11 1/4 in., w. 14 in., d. 7 1/2 in.; Condition: wings can be detach

Antonio, Attributed to Carlo (Italian, 19th Century), Two Hand Colored Exotic Bird Engravings, image: 10.5 x 13.5 inches, gold finished red wood frame: 20.5 x 23.5 x 1 inches

After Antonio Canova (Italian, 1757-1822) Late 19th Century Psyche Revived by Cupid's Kiss marble apparently unsigned Height 21 1/2 inches. Property from Bishop's Hall and the Collection of Richard Sa

Antonio Mancini 19th c. Italian Master, Yale, Ulrich W. Hiesinger. Antonio Mancini Nineteenth-Century Italian Master. Philadelphia Museum of Art / Yale University Press, 2007, hardcover in jacket, 134

After Antonio Frilli (Italian, 1860-1902), "The Veiled Lady," 19th c., cast marble composite bust, wearing a garland of flowers on a circular cast socle, signed and inscribed 'Firenze' Italy en verso,

Antonio Greppi, 19th C. (Italian) Oil on Board of a Bearded Man Signed Lower Right. Spotting, Stains on Matting or else Good Condition. Measures 15" h by 12-1/2" W. Shipping $60.00

'Still Life, Potatoes with Fly.' Reverse painted glass. Signed bottom right. 10 1/4 x 13 1/2"; 14 1/4 x 17 1/2" (framed). The fly would appear to be a trompe l'oeil deception and would have been paint

'Still Life, Melon with Fly.' Reverse painted glass. Signed bottom right. 10 1/2 x 13 1/2"; 14 1/4 x 17 1/4" (framed). The fly would appear to be a trompe l'oeil deception and would have been painted

After Antonio Canova (Italian, 1757-1822) Late 19th/Early 20th Century Psyche Revived by Cupid's Kiss carved marble inscribed Made in Italy Height of sculpture 17 1/2 x width 31 inches. Property from

Meissen Porcelain Plaque of Saint Mary Magdalene 19th century, after Antonio Allegri (Italian, 1489-1534), called Correggio, Mary Magdalene situated in a grotto, clothed only in a cloak, reading inten

ARTURO ORSELLI (Italian 19th Century) A PAINTING, "Neoclassical Spring Beauty," oil on canvas, verso a paper label. 20 1/2" x 12 1/2" Provenance: B. Manheim, Royal Street, New Orleans, Louisiana. Priv

[EGYPT]. A group of late 19th century photographs. 23 albumen prints (279 x 216 mm) mounted on card (some recto and verso), many titled. Photographers include BEATO, Antonio (Italian-British, 1835-190

Large patinated cast-iron fountain, The Three Graces, modeled after the original 19th c. sculpture by Antonio Canova (Italian, 1757-1822), having three graduated tiers, over floral twined central colu

after Antonio Lanzirotti (Italian, 1839-1921), signed "A.G. Lanzirotti Paris" and titled on base. 33"h

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

After Antonio Canova (Italian, 1757-1822) "Maiden", ca. 1900 carved alabaster after the first quarter 19th century marble discovered in the artist's studio after his death and now conserved at the Nat

Italian Carrara Marble "Venus Italica", second half 19th century, after the ca. 1812 sculpture by Antonio Canova (Italian, 1757-1822), now at the Pitti Palace, Florence, h. 40", w. 11", d. 9-1/4". Pro

Continental, 19th century. "View of Palazzo del Quirinale, Rome", grand Tour style oil on canvas after the original by Antonio Canaletto (Italian, 1697-1768). Apparently unsigned; giltwood frame. Appr

AFTER ANTONIO CANOVA (ITALIAN, 1757-1822), A PAIR OF BRONZE MODELS OF THE PUGILISTS CREUGAS AND DAMOXENOSITALIAN, LATE 19TH CENTURY Set on black marble bases Creugas 26.5cm high bases 17.5cm wideProve

Socrate Butazzi (Italian, 19th/20th century). Oil on canvas after Antonio da Correggio. La vergine adora il bambino. Unsigned. With info and titled and dated MCMXXII (1922) on verso. 25 1/2" x 31 1/2"

Pair of Serpentine Stone "Canova" Lions first half 19th century, the sleeping mottled green lions based on the originals by Antonio Canova (Italian, 1757-1822), sculpted for the tomb of Pope Clement X