Adriaen van Ostade. "Smoker at the Window". IV state. Small margins. Laid down at corners. Matted,

Adriaen van Ostade. "Smoker at the Window". IV state. Small margins. Laid down at corners. Matted, 14" x 18". Provenance: The Winfield Robbins print collection of Arlington, Massachusetts.

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Brown ink drawing on laid paper, The Starry Night (also called Starlit Night), signed (Vincent van Gogh*, 1853-1890). 6 3/4 x 9 3/8 inches. Small chips to upper right and lefthand corners, otherwise g

Adriaen van Ostade (Dutch, 1610-1685) Adriaen van Ostade (Dutch, 1610-1685) Study of a peasant in a brown coat and cap oil on panel 16 x 15cm Provenance: Dr Leon Lilienfeld collection. Literature: Gus

Girl with a Flower in Her Hair, oil on paper, signed upper left, rendered in Fauvist palette, housed in a vintage gold molded frame with scrollwork painted corners, matted and glazed, OS: 26" x 23 1/2

Chagall, Marc Colour lithograph on Japon nacré. Signed and numbered. - Framed under Glas. Lower right corner with small crease mark. Upper right corner with very tiny brown stain. Altogether in very

JOHN SLOAN Night Windows. Etching, 1910. 136x179 mm; 5¼x7 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed in pencil, lower right. A superb, dark

CHILDE HASSAM Washington's Birthday, Fifth Avenue and 23rd Street. Etching on antique cream laid ledger paper, 1916. 323x187 mm; 12¾x7 inches, full margins. Second state (of 2). Signed with the a

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

A period, 17th century etching (framed): Rembrandt Van Rijn (Netherlands, 1606 - 1669), "Small Lion Hunt" with two lions, B.115, H. 180, sheet 6 3/8 x 5", on laid paper (tissue backed), armorial water

Lot consists of Two 17 1/2" x 62" stained glass windows with an "allegorical motif" depicting a devil, gnome, children etc. There is a small hairline at the lower right corner where the mans face is (

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

PABLO PICASSO Morte au Soleil, IV. Drypoint and lavis on cream laid paper, 1933. 200x280 mm; 8x11 inches, full margins. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lac

Pen and dark brown ink drawing on laid paper with traces of pencil, the starry night, signed* extreme lower left corner (Vincent van Gogh, 1853-1890). 7 7/8 x 11 1/4 inches. Good condition overall, ha

Dark brown ink drawing on laid paper, landscape with houses and trees, signed* lower right corner (Vincent van Gogh, 1853-1890). 6 3/8 x 8 1/2 inches. Good condition overall, having no visible tears o

Circle of Adriaen van der Linde (Bruges circa 1560-1609) Portrait of a girl, full-length, in a black embroidered dress, holding a posy, with a dog at her side inscribed and dated 'A*tatis Sua*3/ An.16