1959 MEXICO Comite Nacional De Lucha Contra La

PETER DE LA FUENTE (Spanish/New Mexico b. 1959) A PAINTING, "Tree in Landscape," watercolor on paper, signed L/L, "Peter la Fuente"; 21 1/2" x 26 1/2", framed 31 1/2" x 36". Note: Peter de la Fuente i

PETER DE LA FUENTE (Spanish/New Mexico b. 1959) A PAINTING, "Red Tractor," watercolor on paper, signed L/R, "Peter La Fuente," 13 1/2" x 19", framed, 23 1/4" x 28 1/2".

DESCRIPTION: Five Mexican sterling silver bookmarks. Includes: 1) Cross-shaped with a crown and a eight-pointed star. Stamped on reverse "Mexico Sterling". By the Union Nacional de Industriales de la

LA MUERTA DE LOS PESCADOS, 1987, watercolor on paper, signed and dated lower center, 22 ¼ x 18”. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

Orozco portfolio titled '20 Dibujos de Jose Clemente Orozco de la Exposicion de Agosto de 1945 en el Colegio Nacional Mexico-1945'; the Zuniga portfolio containing two prints pencil signed and numbere

[Mexican Imprint] of California Interest "Analisis Estadistico De La Provinceia De La Michuacan En 1822 Por J J L", printed at Mexico by Nacional del Supremo Gobierno de los Estados Unidos en Palacio.

Titled "En El Espacio", oil on canvas, signed and dated upper right, and verso. Exhibited 1968 in The Salon De La Plastica Mexicana - Instituto Nacional De Bellas Artes. Arturo Estrada studied with Fr

Armando Amaya (Mexican, 1935) patined bronze sculpture signed and dated, 1988. A native of Mexico City, Amaya attended the Escuela Nacional de Pintura, Escultura y Grabado - later known as La Esmereld

Mexico en 1847. Contiene una ligera relacion de las revoluciones y de algunos sucesos ocurridos entre nosotros, desde que comenzó la guerra contra los Estados-Unidos, y varias reflexiones acerc

Mexico.- Abuse of indigenous peoples by Catholic Church.- [Camarena (Pedro)] Abusos del clero contra los indigenas, por la relación que tiene conmigo como dueño y poseedor de la hacienda d

(MEXICO.) Carlos María de Bustamante. Galeria de antiguos principes mejicanos, dedicada a la suprema potestad nacional. 30, 21, [1] pages. 2 parts, with separate title pages. 4to, disbound; minor

[NATIONAL GUARD]. MEXICO. LAWS (September 11, 1846). Ministerio de Relaciones Interiores y Exteriores [caption title]. Reglamento para organizar, armar y disciplinar la guardia nacional en los estados

(1864-1959 French) "Vallee de la Dordogne Peres Servieres", framed oil on canvas, signed lower right, titled and dated 1919 on verso, approximately 25 5/8" x 39 3/4", with frame 31" x 45".

GARCIA CONDE, Diego (1760-1822) - CALVO, Rafael Maria - MAVERICK, Peter (1780-1831). Plano general de la Ciudad de Mexico... Engraved map with original hand color. New York: 1830.20" x 22" sheet. Prov

Villon, Hartung, Tobey, de Stael, Fontana. Nouvelle Series. Cahiers d’Art, San Lazzaro, Paris 1959. With two original lithographs by Jacques Villon and Hans Hartung, 3 pochoirs by Tobey deStael

Colored Pencils on Paper painting signed Frida Kahlo 45, measures: 13 3/4 by 11 inches. Provenance: Collection of Xavier Moysen Mexico , Certificate from Instituto Nacional de Bellas Artes Mexico. The

Frida Kahlo Colored Pencils on Paper Painting. Signed Frida Kahlo 1945 lower Right. 15 5/8 x 13 ¾”Provenance: Museo Franz Mayer Mexico City, (INBA) Instituto Nacional de Bellas Artes Mexico. Privat

Casimiro Castro(Mexican, 1826 - 1889)La Ciudad de México Tomada en Globo [The City of Mexico Taken from a Balloon]duotone lithographMexico City: Establecimiento Litografico de Decaen, Portal del Coli

Chelo G. Amezcua (Piedras Negras, Mexico, 1903-1975), "Dibujos de la Imaginacion", 1968, from the Flying Carpet event at the McNay Art Institute in 1968, ballpoint pen on paper sight: 27.5 x

DEDICATED Anna Lou «Annie» Leibovitz es una fotógrafa estadounidense. Fue la primera mujer en exponer su obra en la Galería Nacional de Retratos de Washington D. C. y la última en retratar al mú

ANTONIO RODRÍGUEZ VALDIVIESO (1918 - 2000) Granada painter NIÑO DE LA OBRA, 1959 Oil on canvas of 80 x 117cm. Signed and dated in the lower right corner. Framed: 88 x 122cm. Valdivieso began

MATERIAL GIRL, one-of-a-kind acrylic painting and mixed media on canvas, signed lower right, signed and titled and stamped on verso, 54 x 40 x 2 ½”. Provenance: Artist’s stamp on v

CHANEL NO. 5, mixed media resin on wood, signed lower right, signed on verso and numbered 123/125 on artist’s certificate, 40 x 32 x 2 ½”. Provenance: Artist’s certificate.

POP DOUGHNUTS, mixed media sculpture, signed and numbered 3/50 in black marker on label on verso, published by Pop Land Fine Art Editions, overall 14 x 18 x 2 ¼”.