1937 Indiana HS State Finals Basketball Ticket Anderson Over Huntingburg

A United States 1937 Daniel Boone Commemorative 50c Coin (NGC MS65) Provenance: Property from a Private Collector, Presque Isle, Wisconsin

Salesman sample humidor labeled "Porcelain Cigar Case Made By The Wilke Manufacturing Company Anderson, Indiana". Heavy tile with ornate trimming and heavy metal hardware. Interior shows original wire

Giorgio Morandi (1890-1964) Natura morta con il panneggio a sinistra (Vitali 31; Cordaro p.35) Etching, 1927, on wove paper, the second, final state, signed, dated and numbered 32/40 in pencil, with w

PABLO PICASSO (1881-1973) Femme au Corsage à Fleurs lithograph, 1958, on Arches wove paper, signed in pencil, a proof of Mourlot’s third, final state, aside from the edition of fifty Sheet 6

Yet another superb find. A print that hardly shows its age, with mesmerizing detail. L Ecuyère et les clowns by Pablo Picasso is a Lithograph in colors on Arches paper, the seventh (final) state, sig

Peter Max (1937 - ) United States of America. Delta. Acrylic on Canvas. H 43 x W 37 in. The artwork listed is an Original Mixed Media Peter Max Painting titled Delta. Max's art has been exhibited in m

Pablo Picasso (1881 - 1973) Les Pauvres from "La suite des Saltimbanques" etching, on Van Gelder paper, 1905, Baer's second (final) state, from the edition of 250 on this paper (there were also 27 or

Henri de Toulouse-Lautrec (French, 1864-1901), "Mademoiselle Marcell Lender, en Buste," 1895, lithograph in colors, monogrammed in plate upper left, Wittrock's fourth (final) state from the original P

AFTER PABLO PICASSO (1881-1973) Femme au Corsage à Fleurs Lithograph, 1958 On Arches wove paper Signed in pencil Proof of Mourlot’s third Final state Aside from the Edition of FiftySheet 19"

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

Hieronymus Bosch (c. 1450-1516), AfterSaint Martin with His Horse in a ShipEngraving, by Johannes and Lucas Doetecum, circa 1561, but a well inked later impression of the final state (of three) with p

Edward Borein (1872-1945) Trail Boss (Galvin 85), no date Etching and drypoint on wove paper, the second (final) state, signed in pencil and with artist remarque in pencil, with margins, framed. 7 7/8

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

ROBERT INDIANA, United States 1928-2018, Love Red Blue Green. 2018. Painted polystone, Numbered from the edition of 500, Size 15 x 15 x 7 cm. Editions Studio 2018. Certificate of authenticity of the e

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

ROBERT INDIANA, United States 1928-2018, Love (Silver) 2018 Painted polystone, Numbered XX/500, Size 15 x 15 x 7 cm. Editions Studio 2018. Certificate of authenticity of the editor is attached, number

Felix Buhot (1847-1898) Le Débarquement au Angleterre, etching and drypoint, 1879, fifth, final state, signed and dedicated 'a Monsieur Roger Marx avec une pluie de remerciment / FD.', with the art

Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid pa

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

Rembrandt van Rijn (1606-1669)Pharisees in the Temple (Jews in the Synagogue)Etching and drypoint, 1648, but a later impression of New Hollstein's final state (of nine), on cream laid paper without wa