Rembrandt van Rijn (1606-1669) La Négresse Couchée [Nude woman lying down]

Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid pa

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

Rembrandt van Rijn, 1606-1669; Old Woman in Black Veil also known as Rembrandt's Mother, Hand on Her Chest. Etching on paper, signed R and dated 1631 in the plate margin; silk mat and framed. Paper tr

Rembrandt van Rijn (Netherlands, 1606–1669) . Old Woman Sleeping , Etching, 1635. B350, only state; Phillips June 1994; Adhered to archival board; Trimmed to plate . 2 13/16" x 2 1/8".

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark

After Rembrandt Harmenszoon Van Rijn (1606-1669). Title: Woman at a Door Hatch Talking to a man & Children. Medium: Antique hand pulled copper plate etching on laid paper after the original by master

Rembrandt van Rijn; Attributed (Dutch 1606–1669) Woman at the Well Pen and brown ink drawing On laid paper with watermark Size-10 1/8x7 7/8 in. Please note that this lot has a confidential reserve.

AFTER REMBRANDT VAN RIJN (DUTCH 1606-1669) ETCHING, "WOMAN BATHING HER FEET AT BROOK" (B200; H.298), TRIMMED TO PLATE. 6 1/4 X 3 1/8"; FRAMED AND GLAZED 11 1/4 X 8 3/4"

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

Rembrandt van Rijn (1606-1669) "Christ and the Woman of Samaria" 1658 Medium: Etching and drypoint, some plate tone; third of five states Dimensions: Sheet (Trimmed ): 4 13/16 × 6 1/4 in. (12.3 Ã

Rembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, but a later impression of New Hollstein's third state (of three) on thick cream laid paper without watermark, platemark 142

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Old Beggar Woman with Gourd, 1629 etching 4 x 2 inches. Property from a Private Collection, Chicago, Illinois

After Rembrandt Harmenszoon Van Rijn. (1606-1669). Portrait of a Woman. Antique Heliogravure on wove paper after the original by a Master Engraver. 1891. Signed in the plate. Excellent. Image Size 8 1

After Rembrandt van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria: Among Ruins. Etching, signed in the plate Sight: 4.75" x 4.75" Frame: 10.5" x 10"

REMBRANDT VAN RIJN (Dutch, 1606-1669)Three Heads of Women, One Asleepetchingsheet: 5 1/2 x 3 7/8 in., frame: 12 1/2 x 9 3/4 in. Provenance: The Collection of Louis Joseph; by descent to the current o

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria etching and drypoint 4 3/4 x 6 inches. Literature: Hind 294 Provenance: Merrill Chase Galleries

REMBRANDT VAN RIJNThe Netherlands, 1606-1669“Three Heads of Women, One Asleep”, 1637. Usticke's first state (of three), New Hollstein’s second state (of three), printed after the fir

DESCRIPTION: Rembrandt Van Rijn (Netherlands, 1606 - 1669). Etching. Beggar Man and Beggar Woman Conversing, 1630. Bartsch 164 second state. Lettered in plate lower left with artist's monogram. In sim

REMBRANDT VAN RIJN (Dutch, 1606-1669) Posthumous etching and drypoint, "The Pancake Woman" JEAN-FRANCOIS RAFFAELLI (French, 1850-1924) Etching, untitled (picnic gathering) (framed separately) Both sig

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Oil on wood, miniature. Portrait of a woman. Attached label reads "Rembrandt Harmenszoon van Rijn 1606-1669", with "Galerie Mathias Fels PARIS" stamp. 5 x 16 cm (2 x 6 1/4 inches).

REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP":Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8";