Attributed to Gerard Coarding, it does not have a COA. Medium: oil on canvas, 32 x 26 inches. Provenance: private owner.

Biography: According to the Cook County Chicago census of 1920 and 1930, Gerald D. Coarding was born on June 5, 1911 in Fort Wayne, Indiana. He fought in World War II in Europe and lived afterwards some years in Paris. There he made several important works of art." (www.klasema-art.com). Coarding studied with Hans Hoffman in New York and with Fernand Leger in Paris, and he attended the Academy of Fine Arts in Naples. His work was also exhibited at the Museum of Modern Art in Paris.In 1955, his address was 11 Bleeker Street, in New York City, according to a label found one the back of his painting, The Minotaur.He worked for Chase Manhattan Bank in New York at 80 Pine Street. David Rockefeller, President of the Bank, purchased one or two of the panels of a triptych painting, The Plainsman, (1956) by Coarding. The selection committee included Alfred Barr, Dorothy Miller, James Sweeney, Perry Rathbone, and Robert Hale.He exhibited at the Art Institute of Chicago in 1947 and the Whitney in 1955 (The Warrior). In 1985, he exhibited with Louis Stone at the Noyes Museum of Art, Oceanville, New Jersey. (See "Images in Art: Paintings by Two Rediscovered New Jersey Modernists, Gerald Coarding and Louis Stone.") Around this time, he also exhibited in the Janet Fleisher Gallery in Philadelphia.He died in Dorothy, NJ in March of 1986.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint