Attributed to Maria Helena Vieira Da Silva, it does not have a COA. Medium: oil canvas, 25 x 20 inches. Provenance: private owner.

Biography: Maria Helena Vieira da Silva (1908-1992) was a Portuguese-French abstractionist painter. She was born on June 13, 1908 in Lisbon, Portugal. At the age of eleven she had begun seriously studying drawing and painting at that city's Academia de Belas-Artes. In her teen years she studied painting with Fernand Léger, sculpture with Antoine Bourdelle, and engraving with Stanley William Hayter, all masters in their respective fields. She also created textile designs.By 1930 Vieira da Silva was exhibiting her paintings in Paris; that same year she married the Hungarian painter Ãrpád Szenes. After a brief sojourn back in Lisbon and a period spent in Brazil during World War II (1940-1947), Vieira da Silva lived and worked in Paris the rest of her life. She adopted French citizenship in 1956. Vieira da Silva received the French government's Grand Prix National des Arts in 1966, the first woman so honored. She was named a Chevalier of the Legion of Honor in 1979. She died in Paris, France on March 6, 1992.By the late 1950s Vieira da Silva was internationally known for her dense and complex compositions, influenced by the art of Paul Cézanne and the fragmented forms, spatial ambiguities, and restricted palette of cubism and abstract art. She is considered to be one of the most important Post-War abstract artists; however, she is not a "pure" abstract painter. Her work is related to French Tachisme, American Abstract Expressionism*, and Surrealism* — as were many of her contemporaries who were painting in Post-War Paris during the mid to late 1940s and early 1950s. Her paintings often resemble mazes, cities seen in profile or from high above or even library shelves in what seems to be an allegory* to a never-ending search for Knowledge or the Absolute.She exhibited her work widely, winning a prize for painting at the São Paulo Art Biennial* in São Paulo in 1961.She decorated in 1988 the new Cidade Universitária subway station of Lisbon with azulejo panels.In November 1994, the Ãrpád Szenes-Vieira da Silva Foundation was inaugurated in Lisbon, a museum that displays a large collection of paintings by both artists.Her name, sometimes appears written as Maria Elena Vieira da Silva, but the correct version, in Portuguese, is Maria Helena Vieira da Silva.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint