Nyoman Gerebig, oil on canvas, signed, 25 1/2 x 17 1/2", Balinese, Young Artist School.
For much of the late 1940's and 50's Indonesia as a whole laid aside art for politics. A new burst of creative energy came to Bali in the 1960's in the form of Dutch painter Arie Smit (1916-).The story is that Smit, while visiting Bali, was walking through a stretch of countryside near the village of Campuan when he happened upon a group of boys drawing in the sand. He was impressed by their talent and invited them to his studio, where they promptly became his students. Smit gave them the material they needs, taught technique, but was careful not to make suggestions about content or color. And he did not let them see his own painting.Smit had come to Indonesia as a Dutch soldier and stayed on Java after independence. Among other things, he taught art and drawing at a university in Bandung. In 1951 he applied for Indonesian citizenship to keep from being expelled from the country. He first visited Bali in 1956.The Young Artists Movement which developed from Smit’s students was a lively, sometimes humorous, genre with color and line characteristics which, while unique within the history of Balinese art, remained essentially Balinese. At its height, the movement probably included between 300 and 400 artists.The Young Artists Movement has been given mixed reviews by history. Smit distanced himself from it in order to allow the Balinese he’d taught to stand (or fall) on the merits of their own arts. Smit himself went on to an outstanding artistic career in Bali.Major artists from the Young Artist School are I Wayan Pugur, I Ketut Soki, I Ngurah KK, I Nyoman Londo, I Ketut Tagen, I Nyoman Cakra, I Nyoman Gerebig, I Nyoman Mundik, Ni Ketut Gampil and many others.

Unstretched Canvas