Atributed to Georg Kern Baselitz, it does not have a COA. Provenance: private owner from Atlanta. 24 X 20 inches.

Biography: George Baselitz was born to a school-teacher couple as Hans-Georg Kern in Deutschbaselitz, Saxony on January 23, 1938. He started calling himself after his hometown at the age of 18 in 1956. He was educated at Volksschule and Gymnasium, Kamenz until 1955. He studied art at the Kunstakademie, East Berlin 1956-57, under Hans Trier, Akademie der Kunste, West Berlin from 1957 to 1964. He was married in 1962 and has two sons, Daniel and Anton. His wife, Elke, has been his most enduring model for over thirty years.It was at the East Berlin Academy of Fine Arts (Kunstakademie) that Baselitz began thinking independently. He recounts that he started seeing through the propaganda behind the building of the Berlin Wall, and the East German workers' uprising, etc. He began realizing that the whole system was a fraud, a house of cards based on deception and corruption. About a year later, he was suspended from the academy on grounds that he was "socio-politically immature."He had to work hard to support himself - in a brewery, in a warehouse and in a plastics factory. After a year or so he began painting in his own way, against the prevailing trend in West Germany and Western Europe as well as America - figuratively. Baselitz' paintings tend to confuse the viewer, distorting the organized mechanisms of visual perception. His works repudiate "Paintings with images." There is little suggestion of story or description. He is best known for his "upside-down" images, and any temptation to dismiss them as gimmicky was quelled by his early work, which clarified the process by which te artist has achieved a balance between abstraction and figuration.Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint