ARTIST: Henry Roderick Newman (New York, Egypt, 1833 - 1918)
NAME: Duomo, Florence
YEAR: 1899
MEDIUM: watercolor on paper
CONDITION: Minor age toning. Framed under glass. Minor damages to frame.
SIGHT SIZE: 21 x 12 inches / 53 x 30 cm
FRAME SIZE: 34 x 24 inches / 86 x 60 cm
SIGNATURE: Lower left
PROVENANCE: Christie's New York, Rockefeller Center, Date: 2015-03-25, Lot: 45
SIMILAR ARTISTS: Addison Thomas Millar, Malvina Cornell Hoffman, Hayley Lever, John Joseph Enneking, George Ehrenfried Grosz, Carl Milles, Arthur Fitzwilliam Tait, Otis Kaye, Henry Gasser, Fairfield Porter, Edmund Greacen, Morris Graves, John Marin, Claude Claudine Hirst, Grandma Moses, Emile Albert
Gruppe
CATEGORY: antique vintage painting
SKU#: 116537
WARRANTY: 7 days returns accepted if item doesn't match description

US Shipping $90 + insurance.

Henry Roderick Newman (New York, Egypt, 1833 - 1918)
Born in Easton, New York, Henry Roderick Newman was a Pre-Raphaelite landscape and still-life painter, who moved with his family to New York City in 1843.
Along with John Bunyon Bristol, Newman was one of the first significant American painters to paint in Florida. He was attracted to the area for health reasons, and painted in the area of St. Augustine from 1868 until the summer of 1869. Some of these paintings were later acquired by his friend and patron,
John Ruskin, the English aesthetician, with whom he traveled.
Today he remains known primarily for his membership in the American Pre-Raphaelite Association for the Advancement of Truth in Art, but his most accomplished work was likely done between 1875 and 1900 during his expatriate years. At that time, he established himself as one of the most important, some
say the most important, American watercolorists working abroad. His specialty subjects were religious architectural structures, floral pictures, and views of endangered historical landmarks.
Many of his paintings were of Egypt where he lived much of his life, visiting for many months each year for 25 years, as well as in Italy. In 1869, he studied with Thomas Couture in France, and shortly after, he was a student of Jean Leon Gerome who emphasized figural drawing and painting. However, he
didn't stay long with Gerome because he was disappointed in the instruction and was also insecure with the onset of the Franco-Prussian War.
Moving to Italy, he specialized in ecclesiastical masterpieces of architecture, and from there he traveled to Egypt and later to Japan.