Quantity of Inuit Art Publications

Lot Includes

Canadian Eskimo Art, [Ottawa: Minister of Northern Affairs and National Resources, 1955];

Henry Schaefer-Simmern, Eskimo-Plastik Aus Kanada, [Kassel, Germany: Friedrich Lometsch, 1958];

Arctic Values '65 (exh. cat.), [Saint John, N.B. : New Brunswick Museum, 1965];

Cape Dorset : a decade of Eskimo prints and recent sculptures / an exhibition organized and circulated by The National Gallery of Canada in cooperation with The Canadian Eskimo Art Committee = dix ans d'estampes esquimaudes et sculptures récentes / une exposition organisée et mise en circulation par La Galerie nationale du Canada avec la coopération du Comité canadien de l'art esquimau, [Ottawa: National Gallery of Canada, 1967];

Sculpture (a competition/exhibition of Eskimo sculpture, organized by the Canadian Eskimo Arts Council as a contribution to the Centennial of the Northwest Territories = exposition/concours de sculptures esquimaudes organisée par le Conseil canadien des arts esquimaux à titre de contribution au centenaire des Territoires du Nord-Ouest), [Ottawa; s.l., 1970].

Provenance

Ex. Coll. Mr. Paul Duval, Toronto.

Mr. Paul Duval was a distinguished art critic, journalist, author, and friend of the Canadian art community.  Recognized as an authority in Canadian art, Mr. Duval wrote publications on many of Canada's foremost artists, including, The Tangled Garden, the Art of J. E. H. MacDonald (1978), A. J. Casson, His Life & Works: A Tribute (1980), and Lawren Harris: Where the Universe Sings (2011).  In addition to his writings on the Group of Seven, Mr. Duval championed lesser known artists, such as Ken Danby and Helen McNicoll and brought to them national recognition.  

Robert and Signe McMichael purchased Lawren Harris's Montreal River at the suggestion of Mr. Duval.   When the couple transformed their private residence into a public gallery in 1966, Mr. Duval wrote their first exhibition catalogue.  As the years passed, Mr. Duval would continue to contribute to the McMichael's publications, including writings on the Inuit and First Nations artists and artworks in the collection.

A savvy and astute collector in his own right, in the 1970s, Mr. Duval loaned two works from his collection to the exhibition Sculpture/Inuit: Sculpture of the Inuit: Masterworks of the Canadian Arctic, which travelled throughout North America before heading to Russia and Europe.  In 1972/3, Mr. Duval penned the introduction for the Toronto Dominion Bank's travelling exhibition of their Inuit art collection.  For his contribution to this publication, Mr. Duval wrote, "The Eskimos [sic] of Canada have created compelling sculptures for more than 2,000 years [...] It was not until the past quarter of a century that the almost miraculous flowering of Canadian Eskimo [sic] art as we know it today occurred."

This kind of accessible, insightful language was a hallmark of Mr. Duval's writing.  Always coming out with beautiful phrases that would stop you in your tracks.