Quantity of Inuit Art PublicationsLot IncludesCanadian Eskimo Art, [Ottawa: Minister of Northern Affairs and National Resources, 1955];George Swinton, Eskimo Sculpture / Sculpture Esquimaude, [Toronto: McClelland and Stewart Limited, 1965];James A. Houston, Eskimo Prints, [Barre, MA, USA: Barre Publishers: 1967]; George Elliot, William E. Taylor, Jr., George Swinton & James Houston, Sculpture/Inuit. Sculpture of the Inuit : Masterworks of the Canadian Arctic, [Toronto: University of Toronto Press, 1971], reproduced, pl. 211, unpaginated.;W. T. Larmour, Inunnit. the Art of the Canadian Eskimo, [Ottawa: The Ministry of Indian Affairs and Northern Development, 1972];The Eskimo Art Collection of the Toronto-Dominion Bank / Collection d'art Esquimau de la Banque Toronto-Dominion [s.l. {Toronto?): s.n. (TD Bank?): s.d. (1975?).ESTIMATE: $300 ⁠— $500 ProvenanceEx. Coll. Mr. Paul Duval, Toronto.Mr. Paul Duval was a distinguished art critic, journalist, author, and friend of the Canadian art community. Recognized as an authority in Canadian art, Mr. Duval wrote publications on many of Canada's foremost artists, including, The Tangled Garden, the Art of J. E. H. MacDonald (1978), A. J. Casson, His Life & Works: A Tribute (1980), and Lawren Harris: Where the Universe Sings (2011). In addition to his writings on the Group of Seven, Mr. Duval championed lesser known artists, such as Ken Danby and Helen McNicoll and brought to them national recognition. Robert and Signe McMichael purchased Lawren Harris's Montreal River at the suggestion of Mr. Duval. When the couple transformed their private residence into a public gallery in 1966, Mr. Duval wrote their first exhibition catalogue. As the years passed, Mr. Duval would continue to contribute to the McMichael's publications, including writings on the Inuit and First Nations artists and artworks in the collection.A savvy and astute collector in his own right, in the 1970s, Mr. Duval loaned two works from his collection to the exhibition Sculpture/Inuit: Sculpture of the Inuit: Masterworks of the Canadian Arctic, which travelled throughout North America before heading to Russia and Europe. In 1972/3, Mr. Duval penned the introduction for the Toronto Dominion Bank's travelling exhibition of their Inuit art collection. For his contribution to this publication, Mr. Duval wrote, "The Eskimos [sic] of Canada have created compelling sculptures for more than 2,000 years [...] It was not until the past quarter of a century that the almost miraculous flowering of Canadian Eskimo [sic] art as we know it today occurred."This kind of accessible, insightful language was a hallmark of Mr. Duval's writing. Always coming out with beautiful phrases that would stop you in your tracks.