Attributed to Jean-Michel Basquiat, it does not have a COA. Oil canvas. Painting in inches: 24 x 18. Provenance: private collection.

Biography: Jean-Michel Basquiat (1960-1988). He was an American artist born in Brooklyn, New York. He gained fame, first as a graffiti artist in New York City, and then as a highly successful avant-garde artist in the international art scene of the 1980s.
His mother, Matilde, was Puerto Rican and his father, Gerard, was of Haitian origin. At an early age, Basquiat displayed an aptitude for art and was encouraged by his mother to draw, paint, and to participate in other art-related activities.In 1977, when he was 17, Basquiat and his friend Al Diaz started spray-painting graffiti art on subway cars and slum buildings in lower Manhattan, adding the infamous signature of SAMO, meaning Same Old Shit.
In 1978, Basquiat left home and quit school a year before graduating. He lived with friends and survived by selling T-shirts and postcards. In 1980, he participated in a multi-artist exhibition, sponsored by Collaborative Projects Incorporated. During the next few years, he continued exhibiting his works around New York alongside artists such as Keith Haring and Barbara Kruger.
Basquiat's art career is known for his three broad, though overlapping styles. In the earliest period, from 1980 to late 1982, Basquiat used painterly gestures on canvas, most often depicting skeletal figures and mask-like faces that expressed his obsession with mortality, and imagery derived from his street existence, such as automobiles, buildings, police, children's sidewalk games, and graffiti.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint

29.5 x 23.5 in