Lot 0301

WOOD, GRANT, American 1891-1942,

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Grant Wood (American, 1891-1942) "February": Grant Wood (American, 1891-1942) "February". Signed lower right in pencil, Grant Wood. Lithograph. Image: 9" x 11 1/2".

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GRANT WOOD (AMERICAN 1892-1942), LITHOGRAPH: GRANT WOOD (AMERICAN 1892-1942), LITHOGRAPH, "FAMILY DOCTOR", SIGNED AND TITLED 1940, EDITION OF 300.

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Grant Wood (American, 1891-1942) "March": Grant Wood (American, 1891-1942) "March". Sgn. lower right, Grant Wood. Lithograph. Label: Carl Bredemeier Gallery, Buffalo NY. Image: 8 3/4" x 11 3/4". Label: Carl Bredemeier Gallery, Buffalo NY.

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Grant Wood, (American, 1891-1942), Fertility, 1939,: Grant Wood, (American, 1891-1942), Fertility, 1939, lithograph, signed in pencil lower right, 8.75" x 11.75"

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Grant Wood (American 1891-1942): Grant Wood (American 1891-1942) March,1939, lithograph, signed in pencil, Edition of 250, Published by Associated American Artist, New York in 1941 Image: 8 7/8 x 11 3/4" Bibliography: Sylvan Cole, Jr

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Grant Wood (American, 1891-1942) Seed Time and Harvest,: Grant Wood (American, 1891-1942) Seed Time and Harvest, 1937 lithograph signed in pencil 18 x 21 1/2 inches. Property from the Trusts of Barbara V. and William K. Wamelink, Gates Mills, Ohio Provenanc

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Grant Wood (American, 1892-1942) July 15th: Grant Wood (American, 1892-1942) July 15th. Lithograph. Pencil signed 'Grant Wood' (lower right). Sight: 9" x 12".

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Grant Wood (American, 1891-1942) March, 1941: Grant Wood (American, 1891-1942) March, 1941 lithograph signed in pencil 8 3/4 x 11 3/4 inches. Provenance: Property from the Collection of George M. Irwin, Quincy, Illinois Provenance: Associated Ame

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Grant Wood (American, 1891-1942) Tree Planting Group,: Grant Wood (American, 1891-1942) Tree Planting Group, 1937 lithograph signed and dated in pencil 8 1/2 x 11 inches. Property from the Collection of Rhoda H. Clark and The Monastery Hill Bindery

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Grant Wood (American, 1891–1942), , Seed Time and: Grant Wood (American, 1891–1942)Seed Time and Harvest1937, pencil signed and dated, from the edition of 250, Associated American Artists, New York, publisher. Lithograph on paper.Image size: 7 11/16

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Grant Wood (American, 1891-1942) December Afternoon,: Grant Wood (American, 1891-1942) December Afternoon, 1941 lithograph signed in pencil 9 x 12 inches.

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Grant Wood (American, 1891-1942) 'December Afternoon' Lithograph: Grant Wood (American, 1891-1942) 'December Afternoon' Lithograph 1940, pencil signed lower right, depicting a man bringing his horse to a sleigh on a wintry day, unframed Property from: a Private Esta

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Grant Wood (American, 1892-1942) February: Grant Wood (American, 1892-1942) February. Lithograph. Pencil signed 'Grant Wood' (lower right). Sight: 8 3/4" x 12".

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Grant Wood. American. "Midnight Alarm". Original lithograph. Pencil signed lower right along image.: Grant Wood. American. "Midnight Alarm". Original lithograph. Pencil signed lower right along image. Framed under glass. Foxing and toning. Sight: 13 x 9in. Overall: 20.5 x 17in.

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Grant Wood (American, 1892-1942) Fruits.: Grant Wood (American, 1892-1942) Fruits. Hand-colored lithograph dated to 1939, the sheet measures 9.75" x 12.75", pencil signed lower right, from the edition of 250, unframed. Ref: Cole 7 7" x 9.5"

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Grant Wood (American, 1891-1942) Wild Flowers.: Grant Wood (American, 1891-1942) Wild Flowers. Hand-colored lithograph dated to 1938, pencil signed LR, edition of 250. Ref: Czestochowski W-11 Sight: 9" x 11.5" Frame: 14.5" x 17.5"

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Item Details

Description

Title: "Fertility",
lithograph,1939, signed in pencil by the artist, from the edition of 250,as published by Associated American Artists, New York, ,
Size info: ,sheet: () 11 3/8 x 13 7/8 in (29 x 35.5 cm.)m) , ,
Framing: Sold unframed,
Literature: Recorded and illustrated in the standard text on the original prints of Grant Wood by Cole, No. 15.,
Comments: With its burgeoning barn and densely packed cornfield, this stylized farmscape is a testimonial to the agricultural productivity of Iowa. However, Grant Wood also suggests that Regionalism is a fertile philosophy for artistic growth, as evidenced by the numerous references to Gothic Architecture: the farmhouse is the same Carpenter Gothic house from American Gothic, the barn's Gothic vault, and the corn leaves form arched tiers reminiscent of a Gothic church.The development of the Gothic arch provided a boon to European architecture and competition between rival cities led to magnificent edifices that stand to this day. Similarly, as Wood proposed in his essay Revolt Against the City, "the hope of a native American art lives in the development of regional art centers and the competition between them."Note from the Dubuque Museum of Art catalog for a 2001 exhibition of a gift of Randy and Cathy Lengeling.Wood used the Gothic arch as a symbol in his work for the regionalist philosophy.,
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Condition

,A very good impression, in excellent condition with 3/4 to 1 1/2 inch margins. Slight residue from tape top edge verso.,
click thumbnail here for larger photo