Oil on canvas, framed. Featuring a nude. Signed Guttuso on the lower right corner. Attributed to Renato Guttuso (1911-1987, Italian). 27 x 44.5 cm (10.6 x 17.5 inches), frame: 31 x 49 cm (12.2 x 19.3 inches). PROVENANCE: Southern Ontario estate

Renato Guttuso (1911-1987) was an Italian artist known for his association with the Socialist Realism movement popular in the Soviet Union. A fervent opponent of Fascism and a devoted communist, Guttuso’s works carried a strong political message, as seen in his troubling Execution by Firing Squad in the Countryside (1938), a painting depicting the violent assassination of the Spanish poet Federico Garcia Lorca by fascist militia. His expressive brushstrokes and rich use of warm reds and browns, can be seen in his painting La Vuicciria (1974), a scene of a bustling market in Palermo. Born on December 26, 1912 in Bagheria, Sicily, he gave up studying law at Palermo University to pursue a career as an artist. Having shown an aptitude for drawing at a young age, his early style reflected the influence of Giorgio de Chirico. The artist went on to exhibit two of his paintings in 1931 at the showcase, Prima Quadriennale d’Arte Nazionale de Roma. Guttuso died January 18, 1987 in Rome at the age of 75. Today, his works are held in the collections of the Hermitage Museum in St. Petersburg, the Tate Gallery in London, The Museum of Modern Art in New York, and the Palazzo Ruspoli in Rome, among others.

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).