Frida Kahlo Mexican Surrealist Oil on Canvas
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Description
Oil on canvas, framed. Featuring a self-portrait in a surrealist landscape scene. Signed Frida Kahlo on the lower left corner. Attributed to Frida Kahlo (1907-1954, Mexican). 27 x 35 cm (10.6 x 13.8 inches). PROVENANCE: Private European estate
Frida Kahlo (1907-1954) was a celebrated Mexican painter known for her complex self-portraits. Inspired by pre-Columbian artifacts and Mexican folk art, Kahlo produced bizarre yet beautiful works which the Surrealist André Breton once described as a “ribbon around a bomb.” “My paintings are well-painted, not nimbly but patiently,” she once said of her work. “My painting contains in it the message of pain.” Born Magdalena Carmen Frieda Kahlo Calderón on July 6, 1907, in Mexico City, Mexico to a German-born father and Mexican mother, she studied philosophy and medicine as a youth. Kahlo was involved in a traumatic bus accident at the age of 18, leaving her badly injured and confined to a bed for months. During her slow recovery, she took up painting from her bed, and subsequently abandoned her academic pursuits. Able to leave her house once more in 1927, she joined the Mexican Communist Party and through mutual friends was introduced to the Mexican muralist Diego Rivera. The two artists married in 1929, maintaining a tumultuous and often combative relationship over the years, in which both were unfaithful. Kahlo’s several lovers included the photographer Nickolas Murray, the sculptor Isamu Noguchi, and the exiled Communist leader Leon Trotsky. Though Kahlo and Rivera divorced in 1939, they remarried only a year later. Over the following decade, Kahlo painted prolifically and was the subject exhibitions in both the United States and Europe, despite chronic pain and destabilizing health problems. She died in Mexico City, Mexico on July 13, 1954 at the age of 47. In 1958, her home the La Casa Azul (The Blue House) in which she was born and died, was converted into the Museo Frida Kahlo. Today, the artist’s works are held in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the de Young Museum in San Francisco, and the National Museum of Women in the Art in Washington, D.C., among others.
Frida Kahlo (1907-1954) was a celebrated Mexican painter known for her complex self-portraits. Inspired by pre-Columbian artifacts and Mexican folk art, Kahlo produced bizarre yet beautiful works which the Surrealist André Breton once described as a “ribbon around a bomb.” “My paintings are well-painted, not nimbly but patiently,” she once said of her work. “My painting contains in it the message of pain.” Born Magdalena Carmen Frieda Kahlo Calderón on July 6, 1907, in Mexico City, Mexico to a German-born father and Mexican mother, she studied philosophy and medicine as a youth. Kahlo was involved in a traumatic bus accident at the age of 18, leaving her badly injured and confined to a bed for months. During her slow recovery, she took up painting from her bed, and subsequently abandoned her academic pursuits. Able to leave her house once more in 1927, she joined the Mexican Communist Party and through mutual friends was introduced to the Mexican muralist Diego Rivera. The two artists married in 1929, maintaining a tumultuous and often combative relationship over the years, in which both were unfaithful. Kahlo’s several lovers included the photographer Nickolas Murray, the sculptor Isamu Noguchi, and the exiled Communist leader Leon Trotsky. Though Kahlo and Rivera divorced in 1939, they remarried only a year later. Over the following decade, Kahlo painted prolifically and was the subject exhibitions in both the United States and Europe, despite chronic pain and destabilizing health problems. She died in Mexico City, Mexico on July 13, 1954 at the age of 47. In 1958, her home the La Casa Azul (The Blue House) in which she was born and died, was converted into the Museo Frida Kahlo. Today, the artist’s works are held in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the de Young Museum in San Francisco, and the National Museum of Women in the Art in Washington, D.C., among others.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Frida Kahlo Mexican Surrealist Oil on Canvas
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