Louis Valtat French Fauvist Oil on Paper
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Description
Oil on paper. Featuring a still life of lilacs. Signed L. Voltat on the lower left corner. Attributed to Louis Voltat (1869-1952, French). 33.5 x 48.5 cm (13 x 19.25 in). PROVENANCE: Southern Ontario estate
Louis Valtat (1869-1952) was a French painter and printmaker associated with the Fauvist movement of the early 20th century. Valtat’s early work, generally landscapes and street scenes, used the light touch of Impressionism and the colored dots of Pointillism along with an intense, bright palette, as in Péniches (Barges) (1892). Later in life, while suffering from tuberculosis, he spent several autumns and winters on the Mediterranean, where he intensified his use of color and began to express more Fauvist tendencies, particularly in his seascapes. However, he never fully adopted the extreme boldness of color and form that characterizes the work of the Fauve group. Born August 8, 1869 in Dieppe, France, Valtat studied at the École des Beaux-Arts in Paris and at the Académie Julian. His fellow students and contemporaries included Maurice Denis, Pierre Bonnard, and Édouard Vuillard, though Valtat remained separate from the Synthesist movement by which these three were influenced. He continued to paint until 1948, when he lost his sight due to glaucoma. Valtat died on January 2, 1952 in Paris, France.
Louis Valtat (1869-1952) was a French painter and printmaker associated with the Fauvist movement of the early 20th century. Valtat’s early work, generally landscapes and street scenes, used the light touch of Impressionism and the colored dots of Pointillism along with an intense, bright palette, as in Péniches (Barges) (1892). Later in life, while suffering from tuberculosis, he spent several autumns and winters on the Mediterranean, where he intensified his use of color and began to express more Fauvist tendencies, particularly in his seascapes. However, he never fully adopted the extreme boldness of color and form that characterizes the work of the Fauve group. Born August 8, 1869 in Dieppe, France, Valtat studied at the École des Beaux-Arts in Paris and at the Académie Julian. His fellow students and contemporaries included Maurice Denis, Pierre Bonnard, and Édouard Vuillard, though Valtat remained separate from the Synthesist movement by which these three were influenced. He continued to paint until 1948, when he lost his sight due to glaucoma. Valtat died on January 2, 1952 in Paris, France.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Louis Valtat French Fauvist Oil on Paper
Estimate $3,000 - $5,000
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