Alexej von Jawlensky Russian Expressionist Gouache
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Description
Gouache on paper. Featuring a portrait. Signed A. jawlensky on the lower left corner. Evidence of water damage on verso. Attributed to Alexej von Kawlensky (1864-1941, Russian). 22 x 18 cm (8.7 x 7.1 inches). PROVENANCE: Southern Ontario estate
Alexej von Jawlensky (1864-1941) was a Russian painter associated with the Der Blauer Reiter group in Munich. His works are characterized by their directional brushstrokes, mystical subjects, and use of rich, contrasting hues. Among Jawlensky’s best-known works are his Meditations, a series of abstract portraits, composed of blocks of color and stylized facial features. “I sat in my studio and painted, and did not need Nature as a prompter,” he once explained. “I only had to immerse myself in myself, pray, and prepare my soul to a state of religious awareness.” Born on March 13, 1864 in Torzhok, Russia, he served in the Tsarist Army as an officer before enrolling in classes of the realist painter Ilya Repin in St. Petersburg. Repin introduced Jawlensky to one his private art students an older woman named Marianne von Werefkin. Werefkin and Jawlensky soon become lovers and moved to Munich, were she postponed her own career in order to support the younger artist. In 1899, Jawlensky met Wassily Kandinksy and transitioned from an accomplished academic painter to an innovative colorist. Over the following decade, he worked alongside Kandsinky, Gabriele Münter, and Werfekin, while living in the Bavarian village of Murnau. Fleeing to Switzerland during World War I, he further established himself in the avant-garde circles of Europe before returning to Germany in 1921. Despite being a German citizen, his works were confiscated by the Nazi regime and shown in the infamous Degenerate Art exhibition in 1937. Jawlensky died on March 15, 1941 in Wiesbaden, Germany. Today, his works are held in the collections of the Art Institute of Chicago, the Hermitage Museum in St. Petersburg, the National Gallery of Art in Washington, D.C., and the Albertina in Vienna, among others
Alexej von Jawlensky (1864-1941) was a Russian painter associated with the Der Blauer Reiter group in Munich. His works are characterized by their directional brushstrokes, mystical subjects, and use of rich, contrasting hues. Among Jawlensky’s best-known works are his Meditations, a series of abstract portraits, composed of blocks of color and stylized facial features. “I sat in my studio and painted, and did not need Nature as a prompter,” he once explained. “I only had to immerse myself in myself, pray, and prepare my soul to a state of religious awareness.” Born on March 13, 1864 in Torzhok, Russia, he served in the Tsarist Army as an officer before enrolling in classes of the realist painter Ilya Repin in St. Petersburg. Repin introduced Jawlensky to one his private art students an older woman named Marianne von Werefkin. Werefkin and Jawlensky soon become lovers and moved to Munich, were she postponed her own career in order to support the younger artist. In 1899, Jawlensky met Wassily Kandinksy and transitioned from an accomplished academic painter to an innovative colorist. Over the following decade, he worked alongside Kandsinky, Gabriele Münter, and Werfekin, while living in the Bavarian village of Murnau. Fleeing to Switzerland during World War I, he further established himself in the avant-garde circles of Europe before returning to Germany in 1921. Despite being a German citizen, his works were confiscated by the Nazi regime and shown in the infamous Degenerate Art exhibition in 1937. Jawlensky died on March 15, 1941 in Wiesbaden, Germany. Today, his works are held in the collections of the Art Institute of Chicago, the Hermitage Museum in St. Petersburg, the National Gallery of Art in Washington, D.C., and the Albertina in Vienna, among others
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Alexej von Jawlensky Russian Expressionist Gouache
Estimate $3,000 - $5,000
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