Mary Cassatt American Impressionist Gouache/Paper
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Description
Gouache on paper. Featuring a portrait of a girl. Signed Mary Cassat on the lower left corner. Stamped Charles Egan / NY on the upper right corner, verso. Inscribed 518 on verso. Attributed to Mary Cassatt (1844-1926, American). 25.5 x 17.5 cm (10.0 x 6.9 inches). PROVENANCE: Southern Ontario estate
Mary Cassatt (1844-1926) was an American Impressionist painter best known for works depicting mothers with their children such as The Boating Party (1893). Cassatt was a determined artist who achieved critical and commercial success at a time when few women painters were taken seriously. “I have touched with a sense of art some people—they felt the love and the life,” she once said. Born on May 22, 1884 in Allegheny City, PA, Cassatt traveled throughout Europe at an early age. There, she developed her interest in art and went on to spend much of her adult life in Paris. She participated in numerous early exhibitions of Impressionist art, and maintained a long friendship with Edgar Degas. Like Degas, Cassatt’s work never wholly broke with tradition, but rather assimilated some of the characteristics of Impressionism into a realistic style. The artist died on June 14, 1926 in Paris, France. Today, her works are found in the collections of the Art Institute of Chicago, the Musée d’Orsay in Paris, The Museum of Modern Art in New York, and the Carnegie Museum of Art in Pittsburgh, among others.
Mary Cassatt (1844-1926) was an American Impressionist painter best known for works depicting mothers with their children such as The Boating Party (1893). Cassatt was a determined artist who achieved critical and commercial success at a time when few women painters were taken seriously. “I have touched with a sense of art some people—they felt the love and the life,” she once said. Born on May 22, 1884 in Allegheny City, PA, Cassatt traveled throughout Europe at an early age. There, she developed her interest in art and went on to spend much of her adult life in Paris. She participated in numerous early exhibitions of Impressionist art, and maintained a long friendship with Edgar Degas. Like Degas, Cassatt’s work never wholly broke with tradition, but rather assimilated some of the characteristics of Impressionism into a realistic style. The artist died on June 14, 1926 in Paris, France. Today, her works are found in the collections of the Art Institute of Chicago, the Musée d’Orsay in Paris, The Museum of Modern Art in New York, and the Carnegie Museum of Art in Pittsburgh, among others.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Mary Cassatt American Impressionist Gouache/Paper
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