Leon Spilliaert 1881-1946 Belgian Double Sided Oil
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Description
Oil on board, framed. Featuring a landscape scene of the coastline. Signed L SpiLLiAERT on the lower left corner. Another landscape scene featured on verso. Inscribed on the right stretcher bar, "Milbon 12 x 16 1410/2K HD," verso. Attributed Leon Spilliaert (1881-1946, Belgian). 34 x 44 cm (13.4 x 17.3 inches). Framed size: 45 x 56 cm (17.7 x 22 inches). PROVENANCE: Southern Ontario estate
Leon Spilliaert (1881-1946) was a Belgian painter best known for his mysterious, Symbolist works. Depicting nocturnal landscapes, windswept beach scenes, and alien portraits, Spilliaert’s oeuvre is united in its consistent fascination with the interior emotional landscape of people. Throughout his practice, the artist emphasized aspects of and stylized his observations of reality so that patterns and moods reoccurred within his varied subject matter. Much like the French painter and printmaker Odilon Redon, Spilliaert often used pastels to create the sense of a dream-like haze, lending his work a distinctive, softened aesthetic. Born on July 28, 1881 in Ostend, Belgium, he was often ill and so spent much of his childhood drawing landscapes around his home. At age 21, he went to Brussels to work as an illustrator for Edmond Deman, a publisher who specialized in Symbolist writers like Edgar Allan Poe, which allowed him to pursue his own personal brand of expressive painting. Today, Spilliaert’s works are held in the collections of the Musée d’Orsay in Paris, the Metropolitan Museum of Art in New York, and the Museum of Fine Arts Ghent, among others. Spilliaert died on November 23, 1946 in Brussels, Belgium.
Leon Spilliaert (1881-1946) was a Belgian painter best known for his mysterious, Symbolist works. Depicting nocturnal landscapes, windswept beach scenes, and alien portraits, Spilliaert’s oeuvre is united in its consistent fascination with the interior emotional landscape of people. Throughout his practice, the artist emphasized aspects of and stylized his observations of reality so that patterns and moods reoccurred within his varied subject matter. Much like the French painter and printmaker Odilon Redon, Spilliaert often used pastels to create the sense of a dream-like haze, lending his work a distinctive, softened aesthetic. Born on July 28, 1881 in Ostend, Belgium, he was often ill and so spent much of his childhood drawing landscapes around his home. At age 21, he went to Brussels to work as an illustrator for Edmond Deman, a publisher who specialized in Symbolist writers like Edgar Allan Poe, which allowed him to pursue his own personal brand of expressive painting. Today, Spilliaert’s works are held in the collections of the Musée d’Orsay in Paris, the Metropolitan Museum of Art in New York, and the Museum of Fine Arts Ghent, among others. Spilliaert died on November 23, 1946 in Brussels, Belgium.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Leon Spilliaert 1881-1946 Belgian Double Sided Oil
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