After Frederick William MacMonnies
(American/New York, 1863-1937)

"Bacchante and Infant Faun"

patinated bronze
fourth quarter 19th century, cast signature, inscribed "PARIS", dated "1894", and copyright-marked along self-base.
h. 33", w. 11", d. 12"

Notes: The original model of this bronze was created in 1893, and was initially offered to the Boston Public Library for display in its courtyard. MacMonnies' intentionally sensuous depiction of an inebriated celebrant (based on a sitter he resolutely refused to name) caused quite an uproar, and after several months of heated political discourse on what was considered by the people of Boston as the inherent immorality of the figure, and its gross inappropriateness, the sculpture was withdrawn from consideration. This notoriety eventually worked in the sculptor's favor, and this model became one of his most popular, being reproduced in several different sizes. Editions of this sculpture are conserved at such illustrious institutions as Atlanta's High Museum of Art, the Metropolitan Museum of Art, Indianapolis Museum of Art, and the Delaware Art Museum.
Reference: Janis Conner and Joel Rosenkranz. Rediscoveries in American Sculpture Austin: University of Texas Press, 1989; pp. 128-131.

In overall good estate condition with general weathering, scattered abrasions, areas of wear/rubbing to patination, some pitting to surface especially at female figure's torso, thighs and ankles, and soiling/accretions in more deeply modeled areas. Scattered areas of oxidation, especially at heads. No visible signs of past restoration. All consistent with age, material and usage.