WAYNE THIEBAUD US b. 1920 Crayon on Paper
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Description
Color pencil crayon on paper, featuring a still life drawing of two tin cans. Signed and attributed to Wayne Thiebaud (American, b. 1920) on the lower right corner. 21 x 30 cm (8.3 x 11.8 inches) Wayne Thiebaud is an American painter best known for his still lifes of edible treats and everyday objects in his singular illustrative style. His most popular subject matter includes colorful cakes, slices of pie, candy pieces, and the winding streets of San Francisco. Similarly to Edward Hopper, Theibaud’s paintings capture a uniquely American sensibility, and critics have compared his penchant for still life to painters like Chardin and Giorgio Morandi.“A conscious decision to eliminate certain details and include selective bits of personal experiences or perceptual nuances, gives the painting more of a multi-dimension than when it is done directly as a visual recording,†he reflected. “This results in a kind of abstraction, and thus avoids the pitfalls of mere decoration.†Born Morton Wayne Thiebaud on November 15, 1920 in Mesa, AZ, the painter moved to California soon after, where he became interested in stage design and lighting. He began his career as a commercial artist, but switched to fine art after during his education and earned an MFA from what is now the California State University at Sacramento. A trip to New York during the 1950s introduced him to Willem de Kooning and Elaine de Kooning, Franz Kline, and others in the city’s art scene at the time. Although he continued to show on the East Coast, Thiebaud has remained in the Bay Area, and his work can be found in the collections of the Whitney Museum, the Los Angeles County Museum of Art, and the San Francisco Museum of Modern Art, among others. He was awarded the National Medal of Arts in 1994.
Condition
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All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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WAYNE THIEBAUD US b. 1920 Crayon on Paper
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