Oil on canvas, newly framed. Featuring a portrait. Signed and in the manner of Alexej Von Jawlensky (Russian, 1864-1941) on the lower right corner. 48 x 36 cm (18.9 x 14.2 inches). Frame size: 57 x 45 cm (22.5 x 17.7 inches). Alexej von Jawlensky was born in Torzhok, a town in Tver Governorate, Russia, as the fifth child of Georgi von Jawlensky and his wife Alexandra. He moved to Munich in 1894, where he studied in the private school of Anton Azbe. In 1905 Jawlensky visited Ferdinand Hodler, and two years later he began his long friendship with Jan Verkade and met Paul Serusier. Together, Verkade and Serusier transmitted to Jawlensky both practical and theoretical elements of the work of the Nabis, and Synthetist principles of art. In Munich he met Wassily Kandinsky and various other Russian artists, and he contributed to the formation of the Neue Kunstlervereinigung Munchen. His work in this period was lush and richly coloured, but later moved towards abstraction and a simplified, formulaic style. Between 1908 and 1910 Jawlensky and Werefkin spent summers in the Bavarian Alps with Kandinsky and his companion, the painter Gabriele Munter. Here, through painting landscapes of their mountainous surroundings, they experimented with one another’s techniques and discussed the theoretical bases of their art. Following a trip to the Baltic coast, and renewed contact with Henri Matisse in 1911 and Emil Nolde in 1912, Jawlensky turned increasingly to the expressive use of colour and form alone in his portraits. PROVENANCE: Southern Ontario estate

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By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

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American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

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Apocryphal : Of doubtful authenticity.