Attributed to Max Weber (1881-1963)
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Overall Size: 15.5 x 19 Sight Size: 11 x 14
signed lower right
Max Weber (1881-1963) was active/lived in New York / France, Russian Federation. Max Weber is known for cubist, futurist and fauvist painting-landscape, figure and still life.
One of the more stylistically pioneering of the early modernists, Max Weber was a key figure in introducing avant-garde* art to America. He worked in the mediums of oil, watercolor, printmaking and sculpture, and his subjects sometimes reflected the spiritualism of his religion. His styles included Fauvism*, Cubism*, Dynamism*, Expresssionism*, and Futurism* and reflected the broad spectrum of revolutionary art activity in Paris at the turn of the 19th into the 20th centuries.
He also created some social-realist paintings during the 1930s with depictions of factory scenes. These works reflected his left-wing political leanings, which he expressed as national chairman of the American Artists Congress, "the most powerful left-wing artists' organization of the period" (Baigell). He was a writer on topics of modern aesthetics including "The Fourth Dimension from a Plastic Point of View", published in Camera Work in July 1910.
signed lower right
Max Weber (1881-1963) was active/lived in New York / France, Russian Federation. Max Weber is known for cubist, futurist and fauvist painting-landscape, figure and still life.
One of the more stylistically pioneering of the early modernists, Max Weber was a key figure in introducing avant-garde* art to America. He worked in the mediums of oil, watercolor, printmaking and sculpture, and his subjects sometimes reflected the spiritualism of his religion. His styles included Fauvism*, Cubism*, Dynamism*, Expresssionism*, and Futurism* and reflected the broad spectrum of revolutionary art activity in Paris at the turn of the 19th into the 20th centuries.
He also created some social-realist paintings during the 1930s with depictions of factory scenes. These works reflected his left-wing political leanings, which he expressed as national chairman of the American Artists Congress, "the most powerful left-wing artists' organization of the period" (Baigell). He was a writer on topics of modern aesthetics including "The Fourth Dimension from a Plastic Point of View", published in Camera Work in July 1910.
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Attributed to Max Weber (1881-1963)
Estimate $1,000 - $2,000
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