Oil on paper, framed. Featuring a portrait of a young woman. Signed and attr. Moise Kisling (French-Polish, 1891-1953) on the lower left corner. Marked with gallery seal on verso. 27.5 x 19.5 cm (10.8 x 7.7 inches). Frame size: 31.5 x 23 cm (12.4 x 9.1 inches). Moise Kisling was a French-Polish painter best known for his highly stylized, unsettling portraits. Born on January 22, 1891 in Krakow, Austria-Hungary, he moved to Paris in 1910 where he established himself as an artist. He rented a studio in the district of Montmarte and gained contact with contemporary Parisian ex-pat painters, notably including Jules Pascin and Amedeo Modigliani. His oeuvre includes landscapes, nudes, and portraiture, all painted in his unique style: blocky, bold, simplistic environments containing stylistically exaggerated figures with wide-set limbs and eyes. Kisling died on April 29, 1953 in Provence-Alpes-Cote d'Azur, France and a substantial portion of his works are housed in the Musee du Petit Palais in Geneva, Switzerland PROVENANCE: Southern Ontario estate

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

By [Artist Name]: In our opinion, the work is by the artist.

Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature: In our opinion, the signature on the artwork may be spurious.

Apocryphal: Of doubtful authenticity.