Oil on canvas painting. Featuring surreal scene of man with bowler hat. Signed and attr. Rene Magritte (Belgian, 1898-1967) on the lower left corner with gallery stamped on verso. Accompanied with a certificate of authenticity. 30 x 25 cm (11.8 x 9.8 inches). Rene Magritte was a Belgian artist and one of the most enduringly influential members of the Surrealist movement. Best known for his illusionistic images that challenged the viewer’s preconceptions of reality, Magritte’s Surrealist paintings are clever, witty, and ironic - his most popular being The Treachery of Images (This is Not a Pipe) (1929). "At least it hides the face partly well, so you have the apparent face, the apple, hiding the visible but hidden, the face of the person," he said of his self-portrait The Son of Man (1964). "It's something that happens constantly. Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us." Born on November 21, 1898 in Lessines, Belgium, the artist went on to study at the Academie Royale des Beaux-Arts in Brussels. His interest in avant-garde art was piqued after seeing a photograph of Giorgio de Chirico’s The Song of Love (1914), de Chirico, along with Max Ernst, served as major influences on the young Magritte. During the late 1920s, while maintaining an active commercial illustration career in Paris, he became involved with Surrealism, collaborating with Andre Breton, Man Ray, Yves Tanguy, and Paul eluard. Worldwide interest in his work sparked in the 1960s with numerous museum exhibitions. The artist died during the height of his popularity in Brussels, Belgium on August 15, 1967. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Musee Magritte Museum in Brussels, and the Tate Gallery in London. PROVENANCE: Private estate (Toronto, ON)

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By [Artist Name]: In our opinion, the work is by the artist.

Attributed to [Artist Name]: In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

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American, 19th century: In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature: In our opinion, the signature on the artwork may be spurious.

Apocryphal: Of doubtful authenticity.