Oil on canvas, framed. Featuring a portrait of a lady. Signed and attr. Karl Schmidt-Rottluff (German, 1884-1976) on the lower right corner. 65 x 54 cm (25.6 x 21.3 inches). Karl Schmidt-Rottluff was a German painter and member of the Expressionist movement Die Brücke. His Self-Portrait with Monocle (1910) is a hallmark example of the vivid color, jagged shapes, and unrefined mark-making for which he is best known. Born Karl Schmidt on December 1, 1884 in Chemnitz, Germany, he enrolled at the Dresden Polytechnic University 1905, where he met fellow architecture students Erich Heckel, Fritz Bleyl, and Ernst Ludwig Kirchner. Together with his peers he founded Die Brücke, a collective workshop for painting, sculpting, and printmaking. The artist added the name of his hometown, Rottluff, that same year. In 1906, he discontinued his architectural studies and devoted himself solely to his painting practice. Throughout the following decades, after the disbanding of Die Brücke in 1913, the artist spent his summers painting on the Baltic coast and teaching at the Prussian Academy in Berlin. In 1936, he was officially prohibited by the Nazi regime from exhibiting his work. In exile till 1947, he returned to Berlin where he lived out the rest of his life, dying at the age of 92 on August 10, 1976. Today, Schmidt-Rottluff’s works are included in the collections of The Museum of Modern Art in New York, the Städel Musuem in Frankfurt am Main, the Tate Gallery in London, and the Albertina in Vienna, among others. PROVENANCE: Southern Ontario estate

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By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

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American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

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Apocryphal : Of doubtful authenticity.