Oil on paper, framed. Featuring a potrait of a lady. Signed with initials and attr. Robert Rafailovich Falk (Russian, 1886-1958) on the lower left corner. 41.5 x 37 cm (16.3 x 14.6 in). Falk was born in Moscow in 1886. In 1903 to 1904 he studied art in the studios of Konstantin Yuon and Ilya Mashkov, in 1905 to 1909 he studied at the Moscow School of Painting, Sculpture and Architecture with Konstantin Korovin and Valentin Serov. In 1910, Falk was of the founders and the most active participants of artistic group Jack of Diamonds. The group considered Paul Cézanne the only painter worth following, and the rest of visual art to be too trivial and bourgeois. The distinctive feature of Falk's paintings of the time was sculpturing of the form using many layers of different paints. In 1918-1928, Falk taught at VKhUTEMAS (State Higher Artistic and Technical Workshops). In 1928 Falk went on a supposedly short trip to France and refused to return; he worked in Paris until 1938, when he returned to Moscow. After 1938, until his death in 1958 he worked in Moscow, most of the time in isolation. His works of that time were in neo-impressionist style with characteristic white-on-white colors (not unlike the later paintings of his teacher Valentin Serov). During the Khrushchev Thaw Falk became popular among young painters and many considered him to be the main bridge between the traditions of the Russian and French Moderne of the beginning of 20th century and Russian avant-garde and the Russian avant-garde of the 1960s. There are numerous paintings by Falk in the New Tretyakov Art Museum in Moscow.

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.