Lot 0049

Kopfaufsatz

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Kopfaufsatz: 59 Kopfaufsatz Idoma, Nigeria Gesockelt (base included) Holz. H 29,5 cm. Provenienz: Nachlass René David (1928-2015), Zürich. In einen Korb eingelassen und damit auf dem Kopf des Tänzers getragen,

2018KopfaufsatzSee Sold Price

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A Yoruba Headdress, "okooro": Kopfaufsatz-Maske, "okooro" Yoruba-Ijebu, Nigeria Ohne Sockel / without base Holz, Leder, Schnur. H 48 cm. Provenienz: Helmut und Marianne Zimmer, Zürich. Publiziert: Homberger, Lorenz et al. (1991).

2021A Yoruba Headdress, "okooro"See Sold Price

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An Ekoi Headdress: Kopfaufsatz Ekoi complex, Boki, Nigeria Ohne Sockel / without base Holz, Leder, Haar. H 37 cm. Provenienz: Gérald Minkoff (1937-2009) und Muriel Olesen (1948-2020), Genf. Der italienisch-schweize

2024An Ekoi HeaddressSee Sold Price

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A Bamana Headdress, "tjiwara": Kopfaufsatz, "tjiwara" Bamana, Mali Ohne Sockel / without base Holz, Glasperlen, Kaurischnecken, Raphia. H 66,5 cm (76 cm mit Korb) Provenienz: Helmut und Marianne Zimmer, Zürich. Die bekanntesten Ba

2021A Bamana Headdress, "tjiwara"See Sold Price

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An Ijaw Headdress: Kopfaufsatz Ijaw (Ikwerre), Nigeria, Niger Delta Ohne Sockel / without base Holz, polychrome Fassung (Kaolin), Textilien auf organischem Geflecht. H 17 cm. L 57,5 cm. Provenienz: - Gottfried Honegger

2024An Ijaw HeaddressSee Sold Price

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A Bamana Headdress, "chiwara": Kopfaufsatz, "chiwara" Bamana, Mali Mit Sockel / with base Holz, Eisen, Textil, Rattan. H 45,5 cm. B 55 cm. Provenienz: Beatrice Leutert und Marcel Plüss, Thurgau, Schweiz. Zu den bekanntesten Ba

2023A Bamana Headdress, "chiwara"See Sold Price

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A Widekum Headdress, "tukum": Figürlicher Kopfaufsatz, "tukum" Widekum, Kamerun Mit Sockel / with base Holz, Leder, Rattan. H 26 cm. Provenienz: - Galerie Argiles, Félicia Dialossin (1922-1990), Paris, Frankreich. - Sand

2023A Widekum Headdress, "tukum"See Sold Price

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A Budja Headdress: Kopfaufsatz Budja, DR Kongo Mit Sockel / with base Holz, Raphia. H 49 cm. Provenienz: Gérald Minkoff (1937-2009) und Muriel Olesen (1948-2020), Genf. Weiterführende Literatur: Felix, Marc Le

2024A Budja HeaddressSee Sold Price

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A Mambila Headdress, "suah dua": Kopfaufsatz, "suah dua" Mambila, Nigeria Ohne Sockel / without base Holz. H 34 cm. Provenienz: Helmut (1931-2021) und Marianne Zimmer, Zürich. Zoomorphe, "suah dua" (auch "suahduw") genannter Kop

2022A Mambila Headdress, "suah dua"See Sold Price

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A Yoruba Janiform Headdress, "egungun": Janus-Kopfaufsatz, "Egungun" Yoruba, Nigeria Mit Sockel / with base Holz, Textil. H 25 cm. Provenienz: Helmut und Marianne Zimmer, Zürich. Maske des egungun-Bundes, der die Beziehungen zwischen den A

2020A Yoruba Janiform Headdress, "egungun"See Sold Price

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An Igbo Headdress: Kopfaufsatz Igbo, Nigeria Ohne Sockel / without base Holz. H 41 cm. Provenienz: Helmut und Marianne Zimmer, Zürich. Attached top piece (figure and bird) not original. Angefügter Aufsatz (Figur und V

2020An Igbo HeaddressSee Sold Price

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A Bamana Headdress, "chiwara / sogoni koun ": Kopfaufsatz, "chiwara / sogoni koun " Bamana, Mali Ohne Sockel / without base Holz. H 23 cm. Provenienz: Johann Rudolf Geigy (1902-1995), Basel. Klebe-Etikette mit Sammlungs-Inventarnummer "GE 9" auf

2024A Bamana Headdress, "chiwara / sogoni koun "See Sold Price

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A Lega Mask/Headdress: Maske, Kopfaufsatz Lega, DR Kongo Ohne Sockel / without base Holz, Textil, Kaurischnecken. H Maske: 22 cm. Provenienz: Helmut (1931-2021) und Marianne Zimmer, Zürich. Dieses Lot wurde an der Aukt

2022A Lega Mask/HeaddressSee Sold Price

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2022A Lega Mask/HeaddressSee Sold Price

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2022A Mambila Headdress, "suah dua"See Sold Price

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Kopfaufsatz, "tjiwara": 5 Kopfaufsatz, "tjiwara" Bamana, Mali Gesockelt (base included) Holz. H 86 cm. Provenienz: Schweizer Privatsammlung. Das Kitz auf dem Rücken der Antilope ist nicht das Original. Das Original ist irge

2018Kopfaufsatz, "tjiwara"See Sold Price

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Item Details

Description

49
Kopfaufsatz
Idoma, Nigeria
Gesockelt (base included)
Holz. H 29,5 cm.

Provenienz:
Nachlass René David (1928-2015), Zürich.

In einen Korb eingelassen und damit auf dem Kopf des Tänzers getragen, nahmen solche Masken auch Kontroll- und Justizfunktionen wahr, wie z.B. die Überwachung der örtlichen Gepflogenheiten und die Einhaltung der Sitten und Bräuche.

Weiterführende Literatur:
Neyt, François / Désirant, Andrée (1985). Les Arts de la Benue. Belgien: Editions Hawaiian Agronomics.
(African Art, Art Africain, Art d’Afrique, Afrikanische Kunst, Tribal Art, Art Premier)

CHF 1 000 / 2 000
EUR 860 / 1 720