PETER MAX American b. 1937 Acrylic on Paper
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Description
Acrylic on paper, framed. Featuring his typical rainbow hued painting of a single fruit. Signed and attr. Peter Max (American, born 1937). 8.3 x 8.9 in. (21 x 22.5 cm). Peter Max is a German artist known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes, I love composition, I love the people around me,†he once exclaimed. “I'm adoring it all.†Born Peter Max Finkelstein on October 19, 1937 in Berlin, Germany, his parents fled the Nazi regime in 1938, moving between China, Israel, and Paris before settling in Brooklyn, NY in 1953. He went on to study at the Art Students League of New York, later becoming involved with psychedelic movement in the 1960s, creating a number of posters for bands of the time. Though he is an outspoken political activist and environmentalist, Max has also produced designs for the ad campaigns of several high-profile brands, including 7-Up and Chrysler. The artist’s works are included in the collections of The Museum of Modern Art in New York and the Indianapolis Museum of Art. He currently lives and works in New York, NY.
Condition
All authorship of items in this catalog are described according to the following terms:
By [Artist Name] : In our opinion, the work is by the artist.
Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.
By [Artist Name] : In our opinion, the work is by the artist.
Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.
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PETER MAX American b. 1937 Acrylic on Paper
Estimate $4,000 - $7,000
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