Perfect nice blue faience Shabti. Germany. Late Period, c. 664-450 B.C. Faience. 11.4 cm 4.49 inches. The material used for the creation of this ushabti is faience, composed of fine sand cemented with sodium carbonate and sodium bicarbonate extracted from natron. Fired at 950 degrees C, the mixture gives an enamel-like finish with the carbonates forming a vitreous surface. It was a simple procedure and therefore not costly. The green and blue tones were achieved by the addition of a few grams of copper oxide extracted from malachite or azurite. The red tones were achieved with iron oxide, the intense blues with cobalt, the black by mixing iron oxide and magnesium oxide with water. All that was needed was to paint the chosen details in the selected colour with a brush before the firing. Ushabtis, a term which in Ancient Egypt means “answerers”, were figures that directly represented the deceased person. They appeared in the Middle Kingdom and their use became popular in the New Kingdom. They formed part of the grave goods. Chapter VI of the Book of the Dead was often inscribed on the figurine, or a simpler version with the name and title of the deceased. The use of these funerary figures allowed the owner to enjoy the afterlife as the ushabtis acted as a form of worker substitute for the owner in the fields of Aaru, the Egyptian paradise, as the Egyptians believed that the spirits of these figurines would work for them and thus achieve their sustenance in the afterlife. There were 365 ushabtis placed among the grave goods, one for each day of the year. Along with these there might be 36 overseers who would be in charge of each of the workgroups made up of 10 workers, and so avoid any possibility of rebellion in the ranks. These figurines could be found in a special wooden box or might be placed in an informal grouping in a place near the sarcophagus. In the Late Period these figurines were produced en masse. The number grew and their use became more frequent in the graves in that period.

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