Extremely rare watercolor by Mstislav Dobuzhinsky,signed and dated 1922 from the Estate of Marcelo Soriano III, NYC.(From Wiki):"Mstislav Valerianovich Dobuzhinsky or Dobujinsky (Lithuanian)born Mstislavas Dobužinskis, August 14, 1875, Novgorod – November 20, 1957, New York City) was a Russian-Lithuanian artist noted for his cityscapes conveying the explosive growth and decay of the early twentieth-century.Of noble Lithuanian extraction, Dobuzhinsky was born on August 14, 1875 in Novgorod into the family of an army officer. From 1885 to 1887, he attended the Drawing School of the Society for the Promotion of the Artists. Between 1895 and 1899, he read Law at the University of St. Petersburg, simultaneously studying in private studios. After graduating from the University, he was trained from 1899 to 1901 by Anton Aažbe in Munich and Simon Hollasy in Nagybnya (Austria-Hungary). In Munich, he came to be influenced by the Jugendstil. On his return to Russia, he joined the Mir Iskusstva, an artistic circle which idealized the 18th century as the "age of elegance".Dobuzhinsky was distinguished from other Miriskusniki by his expressionist manner and keen interest in modern industrial cityscapes. He often painted seedy or tragic scenes from urban life which expressed the nightmarish bleakness and loneliness of modern times. Among his works were also humorous vignettes and sketches with demon-like creatures which seemed to embody the monstrosities of urbanization.Like other members of the Miriskusstva, Dobuzhinsky also experimented with scenic design. At first he worked for Constantin Stanislavski at the Moscow Arts Theatre, but later on also contributed sets to several Diaghilev productions. He was renowned as an excellent art teacher; among his young pupils was Vladimir Nabokov, with whom he maintained correspondence for decades.Mstislav Dobuzhinsky, A man with eyeglasses, or The portrait of Konstantin Sunnerberg, 1901-1902, The Tretyakov Gallery, Moscow.During the First World War Dobuzhinsky went with Eugene Lanceray to the front lines to sketch. In 1918, he supervised the theatrical workshop at the State Educational Workshops of the Decorative Arts (the former Stieglitz School of the Technical Drawing). In 1920, he took part in the Second Congress of the Communist International. In 1923-24, he went abroad to study developments in European art and to arrange one-man shows. In 1924, Dobuzhinsky followed the advice of Jurgis Baltrusaitis and withdrew to Lithuania. He was naturalized there in 1924 and lived in Kaunas until 1925. Between 1925 and 1929 lived in Paris where he designed sets for Nikita Balieff's The Bat.He returned to Lithuania in 1929. In Lithuania he worked at a state theatre as scenographer and created scenography for 38 plays, besides running a private painting school (1930–1933).He then emigrated to England in 1935, and moved to the United States in 1939 where he stayed for the duration of the war. He spent the last ten years of his life in Europe, occasionally returning to New York for theatrical work. He died in New York on November 20, 1957. His memoirs were published posthumously in Russian.Among his later works are series of masterful and dramatic illustrations, notably for Dostoyevsky's White Nights (1923) and Yuri Olesha's Three Fat Men (1925). Dobuzhinsky contributed sets for theatre productions in Paris, Brussels, Amsterdam, and Düsseldorf. During World War II, Dobuzhinsky painted imaginary landscapes of the besieged Leningrad.He is interned at the Sainte-Geneviève-des-Bois Russian Cemetery Departement de l'Essonne, Ile-de-France, France; Plot: grave 3428.Collections[edit]Dobuzhinsky is represented in the following institutions, among others: Tretyakov Gallery, Moscow; The A. A. Bakhrushin Theatre Museum, Moscow; The Russian Museum, St. Petersburg; National Gallery of Armenia, Yerevan; Irbit State Museum of Fine Art, Irbit." Watercolor: 8"x 10.75" in a frame: 15.5"x 19.25".

Marcelo Soriano III was a Cuban born owner of an antiques shop in NYC on Bedford street before it closed down over 20 years ago.It is believed someone from Russian extraction walked into the ship before it closed and sold Soriano several works, of importance, including the Dobuzhinsky in this auction and the Kazimir Malevich gouache(lot 90).Soriano must have sensed they were important, he took the two works home and kept them until he passed away.It is also possible that since Dobuzhinsky passed away in NYC in 1957, that these works were part of his estate, and they ended up being sold to Soriano by the executors. The Dobuzhinsky might be a stage or set design, or might just show two theatergoers looking at a poster, but the color, design and intensity of the work speaks volumes about the greatness of the artist, who with a few brushstrokes could convey the bleakness of city life, the sadness and fear of just two figures looking at a poster or graffiti with a skull image, but also the beauty of the colors of nightlife, the intense purple against the bright white backround, and the quiet mystery of not seeing their faces.This work was done a few short years after the Russian Revolution, which Dobuzhinsky was a participating player.In 1920, he took part in the Second Congress of the Communist International.This work was done two years later.David Killen Gallery is thrilled to have this work for sale.Signed by the artist and dated lower right.