Fu BaoShi 傅抱石 (Chinese, 1904-1965), Chinese ink and color painting on paper laid on silk, hanging scroll. Hand Painted the rolling hills and waterfalls of native countryside in peaceful scenes done with softer, rubbed brushwork and shades depicted three figure on a bridge within the splendors of the rivers and mountains, drawing inspiration from nature landscape, grasp an emotion catching the "rhythm" of nature.
In this painting, landscape forms simultaneously emerge from and recede into a dense moisture-laden atmosphere, rocks, trees, and distant mountains are suggested by outlines, texture strokes, and ink washes that run into one another to create an impression of wet blurry surfaces. Every characteristic feature of a landscape is held by Fu BaoShi 傅抱石 to correspond to phases of the human soul; water is thus regarded as the blood of the mountain, grass and trees their hair, mist and clouds their coloring; mountains are considered to be the face of the waters.
This master works on drawings give detailed directions for representing every kind of scenery displays wonderful effects created with only few strokes of the brush. Mountains and stream are described as the highest objects for the master skill to depict their beauties under every varying circumstance of season and weather.
The ideal mountain have a cloud encircling its ‘waist’, hide from view part of the stream which pour over rocks and waterfalls down its sides, and the water appear as though ruffled by wind.
Trees add to the picturesqueness of a stretch of water. With perfect composition of nature, balancing the mist, rocks, water, and trees. Themed calligraphy inscription on upper left, signed and dated by artist, Fu BaoShi 傅抱石, followed by two red signature seals, with additional seal on lower right. Mounted on creme teal silk before pale-celadon border, matted on grayish-brown, set behind glass, wooden box framed.

The portion of the sale will benefit a local church in Atlanta area.


Dimension: 81-1/2" H x 35" W

PROVENANCE:

From the collection of General Chen Qi 陳淇; (1912-2000), who styled himself as “Cangquan” (滄泉and “Yuquanshanren”玉泉山人), an artist, calligrapher, a prominent businessman and private antiques collector.

EDEN Fine Antiques Galleries is honored and proud to offer, once again, to be the last General Chen Qi's heirloom collections including unpublished painting from Zhang DaQian, Fu BaoShi, Qi BaiShi, Huang JunBi, Wu ChangShuo, Xu BeiHong, Dong ShouPing, Dong BangDa, Li XiongCai, and many other famous artists; along with his extraordinary Chinese porcelain collections.
General Chen Qi's collections can be found on Lot-128 through Lot-161 (Day 1), continuing at Lot-402 through Lot-423 (Day 2).
For more information about General Chen Qi's Biography, please refer to PROVENANCE information at Lot 417.

http://chen-qi.net/

https://en.wikipedia.org/wiki/Chen_Qi_(collector)




LOT NOTES:


Fu BaoShi 傅抱石, or Fu Pao-Shih, (1904-1965) was a Chinese painter from Xinyu, Jiangxi Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition.
He was the Director of the Jiangsu Province Chinese Painting School and a Vice-Chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He has held many personal exhibitions in China and has won favorable comments.
Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.
Fu wrote numerous fine arts theses, the earliest of which, "On the Evolution of Chinese Paintings", was written at the age of 25. He also carried out in-depth research into the history of landscape painting at the end of the 4th century BC, including the works of Gu Kaizhi of the Eastern Jin Dynasty (317-420), Zhan Ziqian of the Sui Dynasty (581-618) and Jing Hao of the Five Dynasties Period (907-960), as well as Wu Daozi, Li Sixun, Li Zhaodao and Zhang Yanyuan of the Tang Dynasty (618-907). He worked very hard to imitate paintings by Gao Kegong and Ni Zan of the Yuan Dynasty (1271-1368) Chen Hongshou of the Ming Dynasty (1368-1644), and Cheng Sui, Kun Can, Zha Shibiao, Gong Xian, Mei Qing, Wui Li, Yun Shouping and Shi Tao of the Qing Dynasty (1644-1911), finally becoming one of the master painters of his age. In this capacity he succeeded Huang Binhong, who had created a new style of landscape painting called "BaoShi wrinkle" basing on the cattle-hair wrinkle of Wang Meng of the Yuan Dynasty.
As well as painting landscapes, Fu BaoShi was also an accomplished painter of figures. His paintings of ancient Chinese figures from the 3rd and 4th centuries BC are particularly acclaimed.
As a leader of the so-called New Chinese Painting Movement, which reformed traditional Chinese painting after 1949, Fu stood out from most of his contemporaries with his great passion for art, and his innovative brushwork and unique picture composition.
Fu's reforms were followed by a group of artists in Nanjing where he then lived. He was recognized as the founder of the Nanjing-based New Jinling School of Fine Arts. The school included such important artists as Chen Zhifo (1896-1962), Qian Songyan (1898-1985), Song Wenzhi (1919-1999), Wei Zixi (1915-2002) and Ya Ming (1924-2002).
Fu BaoShi was a great admirer of Shi Tao and, at the age of 18, changed his name to "Bao Shi" - meaning embracing "Shi Tao". He even wrote a chronicle of Shi Tao, recording his life experiences and social activities as well as his art creations. Fu BaoShi admitted that he was obsessed with the study of Shi Tao's painting.

Over all in EXCELLENT Condition. Natural imperfection on the medium (paper or silk), regardless from any major damages; includes light blooms, discoloration and minor fading. Consider normal due to the ages.
The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. EDEN Galleries shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.