Lot 4268

H. Struck 2 drypoints; Appian etching; Legros dry

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THREE CHARLES H. WOODBURY DRY POINT ETCHINGS, ETC.: Three late 19th C. dry point etchings of the Maine coast, including: an unframed etching of harbor with dockworkers, initialed in pencil lower left, plate size 8.5”H x 10.75”W; a matted, u

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Edward Borein, (1872-1945), "Hacienda Gate", Etching and drypoint on paper, Plate: 4" H x 5" W;: Edward Borein(1872-1945)"Hacienda Gate"Etching and drypoint on paperFrom the edition of unknown size, most likely printed posthumouslySigned in pencil in the lower margin, at right: Edward B

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Louis Icart, Fumee, Etching: Louis Icart ( French 1880-1950) Framed drypoint etching. Signed in pencil at bottom right, artist's "Paris windmill" blindstamp at bottom left corner. [Sight: 15" H x 19 3/4" W; Frame: 23 3/4" H x 28

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LOUIS ICART (French, 1888-1950), ETCHING: Gay Senorita (Gypsy Woman) Varnished drypoint etching Pencil signed lower right with blind stamp lower left, captioned upper left, "Copyright 1939 by L. Icart Sty. N.Y."; unframed h. 17-3/4 w. 21-1/2

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Elyse ASHE: Hand-Colored Figures - Etching: Framed hand-colored drypoint etching, numbered 46/75. [Art: 11" H x 11" W; Frame: 25 3/4" H x 23" W]. Buckling; age toning; fading.

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Print, Louis Icart, Black Fan: Louis Icart (French, 1888-1950), Black Fan, 1931, etching, drypoint and aquatint, pencil signed lower right, Windmill stamp lower left, with copyright and date at upper right corner, image: 16.25"h x

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Francis Seymour Haden etching and drypoint: Francis Seymour Haden (British 1818-1910)- ''On The Test'' (Schneiderman 24 vi/VIII)- etching and drypoint, 1859, signed in pencil, light struck. 5 15/16 x 8 15/16''

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A. Legros; L. Lucas; J. Komjati - 3 intaglios: 3 Intaglios - 1.) Alphonse Legros (French 1837-1911)- ''Au Bord de l'Eau (Effet du Matin)'' (Bliss 218 iii or iv / iv)- etching and drypoint, signed in ink, edition of about 25, ex collection of Frank

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Pat Steir, Waterfall: Pat Steir Waterfall 1988etching, aquatint and drypoint in colors image: 44.5 h × 35.25 w in (113 × 90 cm) sheet: 53 h × 41 w in (135 × 104 cm) Signed, titled, dated

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Edward Borein (1872-1945): Trail Herd No. 2 Etching and drypoint on paper From the edition of unknown size. Signed in the lower margin, at right: Edward Borein Plate: 7" H x 12.75" W; Sheet: 8.375" H x 14" W Literature: G

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Edward Borein (1872-1945): Ready to Rope Etching and drypoint on paper From the edition of unknown size Signed in pencil in the lower margin, at right: Edward Borein Plate: 5" H x 4" W Literature: Galvin 4

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Edward Borein (1872-1945): On the Move Etching and drypoint on paper From the edition of unknown size Signed in pencil in the lower margin at right: Edward Borein Sight: 5" H x 7" W Literature: Galvin 33

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Edward Borein (1872-1945): 'Tecolote Ranch" Etching and drypoint on paper From the edition of unknown size Signed in pencil in the lower margin at right Plate: 7.5" H x 9" W Literature: Galvin 274

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Kathe Kollwitz (1867-1945 German): "Inspiration" Etching and drypoint on paper under glass Unsigned, with the printer's blindstamp lower right Plate: 22.25" H x 11.5" W

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Melissa MEYER: "Pacifica" - Aquatint Etching: Aquatint and drypoint on paper, titled, signed, dated and numbered lower center, bearing Metropolitan Museum of Art stamp lower right, by Melissa Meyer (American, b. 1946). [Sight: 9 1/2" H x 7 1/4" W

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H. Struck 2 drypoints; Appian etching; Legros dry

Item Details

Description

Hermann Struck
BETENDER JUDE V; JUDE IM PROFIL
Drypoints, signed, numbered 1/50 and XXVII/XXX respectively, in pencil; Together with Adolphe Appian THE FISHERMEN, etching, 1882; Alphonse Legros [THE END OF THE DAY], drypoint, signed in pencil; Charles Meryon PLAN OF THE BATTLE OF SINOPE (SCHNEIDERMAN 32), hand-colored etching, 1853, second state of two; Max Pollak IN BOHEMIA, drypoint, signed and titled in pencil, on chine applique; Jean-Louis Forain LE RETOUR DE L'ENFANT PRODIGUE, etching, signed and numbered 18/25 in pencil; and Artist Unknown MONTE CAPRINO, ROME, etching, signed illegibly in pencil, the fourth, fifth and seventh with some unobtrusive foxing, otherwise generally in good condition, with wide or full margins, the seventh framed (unexamined out of the frame). (8)
Largest 11 1/2 x 8 1/2 inches; 292 x 216 mm.

Condition

Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.