3.75x6.5 Color vintage image of his artwork signed "Philip Evergood Nov. 60" in fountain pen ink. On the verso, he writes a note to Jim Wiggins in fountain pen ink that read "Dear Mr. Wiggins: Your request for a signed photo received. Here is an extra bonus because of your special interest in my work. So bless you & good luck. Hope our collection grows & grows. I will be a valuable gift to your children. Excellent condition. (1901-1973) Philip Evergood was an American painter, etcher, lithographer, sculptor, illustrator and writer.[1] He was particularly active during the Depression and World War II era.He attended different English boarding schools starting in 1909 and was educated mainly at Eton and Cambridge University. In 1921 he decided to study art, left Cambridge, and went to London to study with Henry Tonks at the Slade School.In 1923 Evergood went back to New York where he studied at the Art Students League of New York for a year. He then returned to Europe, worked at various jobs in Paris, painted independently, and studied at the Académie Julian with André Lhote. He also studied with Stanley William Hayter at Atelier 17 and Hayter taught him engraving.He returned to New York in 1926 and began a career that was marked by the hardships of severe illness, an almost fatal operation, and constant financial trouble.It was not until the collector Joseph H. Hirshhorn purchased several of his paintings that he could consider his financial troubles over. Evergood worked on WPA art projects from 1934 to 1937 where he painted two murals: The Story of Richmond Hill (1936–37, Public Library branch, Queens, N.Y.) and 'Cotton from Field to Mill (1938, post office in Jackson, Ga.). He taught both music and art as late as 1943, and finally moved to Southbury, Connecticut, in 1952. He was a full member of the Art Students League of New York and the National Institute of Arts and Letters.A New York City police officer was killed in the line of duty at Evergood's house located at 132 Bank Street, Greenwich Village on August 17, 1947. Police Officer Thomas J. Gargan, responding to a neighbor's call reporting a burglary, was fatally shot in the chest and his partner was wounded by the burglar. Gargan was posthumously awarded the Daily News Hero Award. It was the second time he had won this award. The burglar used a single shot signal flare gun (sawed off shotgun) he had found in the house. He was sentenced to death and executed in 1948. Evergood was charged with violating the Sullivan Act for failing to register the gun. He was acquitted by a three judge panel.vergood's influences include El Greco, Bosch, Brueghel, Goya, Daumier, Toulouse-Lautrec, Sloan's Ashcan paintings, and even prehistoric cave art.Evergood is noted for his deliberately awkward drawing and his spontaneous bold lines. His skillfully organized sophisticated compositions are often humorous, frequently fantastic, and sometimes openly symbolic. His color is never conventional but rather evokes an extremely personal mood that reveals the artist as both militantly social and warmly sensuous.Though he experimented with etching and lithography in the 1920s, he did not begin to devote himself on a large scale to original printmaking until after 1945. At this time he studied printmaking techniques at the New York studio of Stanley William Hayter. During the following twenty-five years he produced many works of art in both lithography and etching.During the 1950s Evergood departed from his established "Social Realism" style and concentrated on symbolism, both biblical and mythological.This lot came from the Jim Wiggins collection we purchased in July 2022. Jim Wiggins accumulated the most unique and valuable autograph collection over a period of 70-plus years. He obtained his collection either in person or by writing to persons of fame and notoriety. Comes with a full Letter of Authenticity from Todd Mueller Authentics.