VINCENT D. SMITH (1929 - 2003) Waiting for the Kids.
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VINCENT D. SMITH (1929 - 2003)
Waiting for the Kids.
Oil and sand on linen canvas, 1972. 1016x1270 mm; 40x50 inches. Signed in oil, lower right.
Provenance: acquired directly from the artist; Dr. Kenneth B. Clark, New York; thence by descent, private collection, Washington, DC.
This expressionist painting is a significant canvas by the artist, and only the second of his large, mid-career 1970s canvases to come to auction. Waiting for the Kids demonstrates not only the artist's focus on the social and political issues of his urban landscapes, but includes a wonderful display of his painterly technique. Smith contrasts large passages of colorful accumulation of many small drops and dashes of paint and unforgiving lines with rough areas of darkness textured by sand. Smith paints politically and socially disenfranchised figures flattened against the picture plane. The figures often confront the viewer, and are pressed against or into their urban environment, the stark store fronts, tenement buildings and dark street corners of New York. Smith himself has stressed this relationship - "When I paint, I'm always aware of the composition because I've always felt that the tighter the composition, the more interesting the work," he told American Visions magazine in 1999.
Waiting for the Kids.
Oil and sand on linen canvas, 1972. 1016x1270 mm; 40x50 inches. Signed in oil, lower right.
Provenance: acquired directly from the artist; Dr. Kenneth B. Clark, New York; thence by descent, private collection, Washington, DC.
This expressionist painting is a significant canvas by the artist, and only the second of his large, mid-career 1970s canvases to come to auction. Waiting for the Kids demonstrates not only the artist's focus on the social and political issues of his urban landscapes, but includes a wonderful display of his painterly technique. Smith contrasts large passages of colorful accumulation of many small drops and dashes of paint and unforgiving lines with rough areas of darkness textured by sand. Smith paints politically and socially disenfranchised figures flattened against the picture plane. The figures often confront the viewer, and are pressed against or into their urban environment, the stark store fronts, tenement buildings and dark street corners of New York. Smith himself has stressed this relationship - "When I paint, I'm always aware of the composition because I've always felt that the tighter the composition, the more interesting the work," he told American Visions magazine in 1999.
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VINCENT D. SMITH (1929 - 2003) Waiting for the Kids.
Estimate $30,000 - $40,000
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Auction Curated By
Director of African American Fine Art
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