Japanese Woodblock Print, 1910s, published by Hashiguchi Goyo

SIZE IN INCHES: chuban, 7.5 x 11 inches

COMMENTS: Mica background. Published by Hashiguchi Goyo, with Goyo seal on front in black a and on verso in red

In the 1910s Hashiguchi Goyo undertook the task of recreating the greatest ukiyo-e prints and combining them into a multi-book compendium. By the end of the decade he would also produce what are often considered the finest shin-hanga bijin-ga prints of the 20th century.

KITAGAWA UTAMARO, (1753-1806), was a Japanese printmaker and painter who was one of the greatest artists of the ukiyo-e movement; he is known especially for his masterfully composed portraits of sensuous female beauties.

Probably born in a provincial town, he went to Edo (now Tokyo) with his mother. There, under the name of Toyoaki, he started painting and designing rather unoriginal wood-block prints of women. He also occupied himself with nature studies and published many illustrated books, of which Gahon chusen (1788; Insects) is best known.

About 1791 Utamaro gave up designing prints for books and concentrated on making half-length single portraits of women rather than prints of women in groups as favored by other ukiyo-e artists. In 1804, at the height of his success, he made some prints depicting the military ruler Toyotomi Hideyoshi's wife and concubines. Consequently, he was accused of insulting Hideyosh's dignity and was ordered to be handcuffed for 50 days. The experience crushed him emotionally and ended his career as an artist. Among his best known works are the wood-block-print series Ten Physiognomies of Women, Twelve Hours at the Gay Quarters, The Seven Beauties of the Gay Quarters, and Women in Love.

Fine, no flaws