Sam Francis "Toward Disappearance" Screenprint
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Item Details
Description
Sam Francis (American, 1923-1994). Color screenprint on Arches 88 wove paper titled "Toward Disappearance" depicting splatters of colors forming an arch, 1973. Pencil signed along the lower left; numbered 9/72 along the lower right.
Lot Essay:
Sam Francis came to be an artist under unlikely circumstances. After serving the Air Force during World War II, Francis was injured during flight test maneuvers and subsequently hospitalized. It was while he was recovering that he first began to paint. Francis went on to graduate from the University of California, Berkeley in 1950 with a degree in art and began his European travels. His first stop was Paris, where he studied Monet’s “Water Lilies” and developed a relationship with the Matisse family and artists such as Al Held, Joan Mitchell, and Jean-Paul Riopelle. He went on to develop and maintain studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California.
Sam Francis was considered a revolutionary master of color, space, and light. His works call to various art movements - New York Abstract Expressionism, Impressionism, Art Informel, and color field painting. They are characterized by bright, vibrant splashes of color against a luminous white background. Francis took great interest in the creative process, but his understanding of the relationship between color and light set him apart from contemporaries such as Jackson Pollock and solidified him as a key player in contemporary art history.
Sight; height: 37 in x width: 31 1/4 in. Framed; height: 43 in x width: 37 1/4 in.
Lot Essay:
Sam Francis came to be an artist under unlikely circumstances. After serving the Air Force during World War II, Francis was injured during flight test maneuvers and subsequently hospitalized. It was while he was recovering that he first began to paint. Francis went on to graduate from the University of California, Berkeley in 1950 with a degree in art and began his European travels. His first stop was Paris, where he studied Monet’s “Water Lilies” and developed a relationship with the Matisse family and artists such as Al Held, Joan Mitchell, and Jean-Paul Riopelle. He went on to develop and maintain studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California.
Sam Francis was considered a revolutionary master of color, space, and light. His works call to various art movements - New York Abstract Expressionism, Impressionism, Art Informel, and color field painting. They are characterized by bright, vibrant splashes of color against a luminous white background. Francis took great interest in the creative process, but his understanding of the relationship between color and light set him apart from contemporaries such as Jackson Pollock and solidified him as a key player in contemporary art history.
Sight; height: 37 in x width: 31 1/4 in. Framed; height: 43 in x width: 37 1/4 in.
Condition
No visible tears, losses, or restorations. A few light creases along the corners. All four corners have a rectangular spot of acidic burn, likely from the tape along the verso. The work is floated in frame. Framed under glass; light wear to the frame. Not inspected out of frame.
Buyer's Premium
- 30%
Sam Francis "Toward Disappearance" Screenprint
Estimate $2,000 - $4,000
18 bidders are watching this item.
Shipping & Pickup Options
Item located in St. Paul, MN, usSee Policy for Shipping
Local Pickup Available
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Auction Curated By
Asian Art Specialist
Paintings and Sculpture Specialist
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