Lot 0016

The Portfolio to Benefit the Museum of Indian Arts and Culture: John Fincher, Evening Poplars; Tom

James Havard Sale History

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ANDY WARHOL - "REBEL WITHOUT A CAUSE (JAMES DEAN)" - Screenprint on Lenox Museum Board: ANDY WARHOL (1928-1987)Title: REBEL WITHOUT A CAUSE (JAMES DEAN)ADS seriesTechnique: Screenprint on Lenox Museum Board (Portfolio of ten screenprints), Signed and numbered in pencil - lower right, XX/

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KAWS - KAWS X MOCAD - UNTITLED - UNIQUE SCREENPRINT: KAWS X MOCAD - Untitled, from Alone Again - 2019 Unique screenprint. Signed and dated in pencil lower right. 10 x 8 inches (25.4 x 20.3 cm) Published by Museum of Contemporary Art Detroit. Original fo

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Robert Indiana "Four Seasons of Hope" Silkscreens: Robert Indiana (American: 1928-2018) "Four Seasons of Hope, 2012 (Gold)". The complete portfolio comprising of four screenprints in colours on Coventry Rag Paper. Each loose as issued housed in the or

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Brown, John G. (American, 1831-1913) Boy Oil Painting: Brown, John George (American, 1831-1913) “Boot Black”. Oil on canvas painting of a 19th century shoe shine boy street urchin. Signed lower left “J. G. Brown N.A. 1884”. Painting is in good con

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Willem de Kooning (Dutch, Amer., 1904-1907) lithograph: de Kooning lithograph from the Southampton Hospital portfolio, 1982/83. Signed and numbered, ed of 100. Lithograph on somerset satin 250 gram 100% rag, 22 1/4 x 27 1/2 inches, 29 x 36 1/4 inches (fram

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Fritz Scholder Indian in Paris, 1976: Fritz Scholder (Native American, 1937-2005) Indian in Paris, 1976 Lithograph on paper ed. 50 of 100 30 x 21 (in) 35 x 26 x 1.5 (in) Framed Signed in pencil Scholder, lower right Bishop Gallery Art & A

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Tom Wesselmann (AMERICAN, 1931-2004): Tom Wesselmann (AMERICAN, 1931-2004) Silkscreen/Lithograph, 1980, pencil signed & numbered 86/200 31 inches x 30 inches. Gallery label on reverse: Hokin Gallery Palm Beach FL

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Sherrie LEVINE:" Barcham Green Portfolio No-5": Sherrie LEVINE (American, b. 1947):" Barcham Green Portfolio No-5". Set of five aquatints with photogravure on peach colored wove paper, 1986. Signed, dated, and numbered AP8 on the verso; aside from

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Andy Warhol, Sitting Bull from Cowboys and Indians 1986: Andy Warhol "Sitting Bull" from Cowboys and Indians screenprints in colors 1986 Unsigned & unnumbered proof (outside the edition) 36" x 36" Printer: Rupert Jasen Smith, New York Note: These prints do

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Gene Davis (American, 1920-1985) Series I Portfolio: Gene Davis(American, 1920-1985)Series I Portfolio (Tarzan; Jack in the Box; Graf Zeppelin; King Kong; Bullet Proof; and John Barley Corn), 1969screenprint on canvas signed, inscribed 'AP' in marker an

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OSUITOK IPEELEE, INUIT, Eskimo Legend, 1958 (1959 #21): OSUITOK IPEELEE, R.C.A. (1922 or 1923-2005) KINNGAIT (CAPE DORSET) Eskimo Legend: Owl, Fox and Hare/Owl, Fox and Hare Legend, 1958 (1959 #21) Printmaker: OSUITOK IPEELEE, R.C.A. (1923-2005) KINNGAIT (

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SHEOUAK PETAULASSIE, INUIT, The Pot Spirits, 1960 #55: SHEOUAK PETAULASSIE (1918-1961) KINNGAIT (CAPE DORSET) The Pot Spirits, 1960 #55 Printmaker: LUKTA QIATSUK (1928- 2004) KINNGAIT (CAPE DORSET) stencil, 11 x 17 in (27.9 x 43.2 cm), framed, sight. a "G

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KENOJUAK ASHEVAK, INUIT, Autumnal Owl, 1999: KENOJUAK ASHEVAK, C.C., R.C.A. (1927-2013) KINNGAIT (CAPE DORSET) Autumnal Owl, 1999 #9 Printmaker: QAVAVAU MANUMIE (1958 -) KINNGAIT (CAPE DORSET) stonecut on natural paper, 24 x 30.25 in (61 x 76.8

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JOSEPHIE POOTOOGOOK, INUIT, Joyfully I See Ten Caribou,: Lot 46 JOSEPHIE POOTOOGOOK (1887-1958) KINNGAIT (CAPE DORSET) Joyfully I See Ten Caribou, 1959 #29 Printmaker: KANANGINAK POOTOOGOOK, R.C.A. (1935-2010) KINNGAIT (CAPE DORSET linocut and stencil print

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NIVIAQSI (NIVIAKSIAK / NIVIAXIE), INUIT, The Archer, 1960 #45: NIVIAQSI (NIVIAKSIAK) (1908-1959) KINNGAIT (CAPE DORSET) The Archer, 1960 #45 Printmaker: IYOLA KINGWATSIAK (1933-2000) KINNGAIT (CAPE DORSET) sealskin stencil, 23 x 12.5 in (58.4 x 31.8 cm) 39/50 Pro

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TUDLIK, INUIT, Division of Meat, 1959 #24: TUDLIK (1890-1966) KINNGAIT (CAPE DORSET) Division of Meat, 1959 #24 Printmaker: LUKTA QIATSUK (1928-2004) KINNGAIT (CAPE DORSET) stonecut, 12 x 9 in (30.5 x 22.9 cm), irregular 46/50 Provenance Colle

2022TUDLIK, INUIT, Division of Meat, 1959 #24See Sold Price

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The Portfolio to Benefit the Museum of Indian Arts and Culture: John Fincher, Evening Poplars; Tom

Item Details

Description

ARTIST: John Fincher (b.1941); Tom Palmore (b.1945); Bill Shepherd (b.1943); Paul Pletka (b.1945); James Havard (1937-2020)
MEDIUM: Lithographs in Colors (Set of 5 with each signed as 24/65)
EDITION: 65
DATE: 1990
DIMENSIONS: 22 x 30 in. (each sheet)
SIGNATURE: Fincher: Lower right in white pencil 24/65, lower left Fincher 90, printer chop marks; Palmore: lower right in pencil 24/65, lower center Nate; right of center Palmore, printer chop marks; Shepherd: lower right in pencil 24/65, lower left Bill Shepherd with printer chop; lower right in pencil lower right 24/65, Pletka: lower left Pletka, printer chop marks; lower right in pencil 24/65; Havard: lower center New Mexico History Page, lower left Havard 90, printer chop marks
CONDITION: Fine
PROVENANCE: Dr. and Mrs. Martin Fishbein, Santa Fe, NM; by descent Non-profit, Santa Fe, NM
NOTE: Prints are in the original linen covered portfolio and not framed
NOTE: Stephen Brito, Lithographer; Narvisa Press, Edition 24 of 65
SHIPPING: Please read our shipping policy. For a shipping quote before bidding, email any of our recommended shippers or a shipper of your choice; just copy/paste the lot description into the email, along with your postal code.

NO RESERVE. This lot is being sold with No Reserve.

Condition

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Condition Description Definitions:
Excellent: In as new condition.
Fine: In unusually good condition for its age.
Good: In typical condition for its age with some normal environmental and aging effects.
Fair: Less than typical condition for its age, generally intact however and retaining its aesthetic integrity.
Poor: In damaged or excessively worn condition or having significant losses or alterations or restorations.

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The Portfolio to Benefit the Museum of Indian Arts and Culture: John Fincher, Evening Poplars; Tom

Name: The Portfolio to Benefit the Museum of Indian Arts and Culture: John Fincher, Evening Poplars; Tom
Brand: James Havard
SKU: 161887332
Price: 450 USD
Availability: InStock

Estimate $2,500 - $4,000

See Sold Price

Starting Price $100

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