An Antique Mexican Retablo and a Vintage Ex Voto Painting
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An Antique Mexican Retablo and a Vintage Ex Voto Painting
the first a retablo depicting a male saint holding a crucifix and a palm frond, oil on tin mounted to two old boards and presented within an ebonized frame (Frame dimensions 20 1/2 x 16 1/2 in.); the second an ex voto of a man kneeling before an image of the Virgin Mary, with inscription and dated 1944, oil on tin mounted to an old board and presented within an ebonized frame (Frame dimensions 13 x 14 1/4 in.).
From the Collection of the late Dr. Margery Williams Adams and Dr. George Carlisle Adams, Charlotte, North Carolina
Margery and Carlisle Adams were lifelong patrons of the arts in their hometown of Charlotte, North Carolina. They met in Paris where they were both Fulbright Scholars, she studying at the Sorbonne, and he teaching Pediatrics to French physicians.
Margery (1921-2022) grew up in Worcester, MA. She graduated from Smith College, held a Masters and a Ph.D. in Art History from Radcliffe College (now Harvard University), and taught Art History at Radcliffe and Queens College in Charlotte. She inherited from her uncle - Frank Smith, a Worcester attorney - an extraordinary art collection of Italian antiques and works by early 20th century contemporary artists, the core of which has been donated to the Worcester Art Museum and Smith College Museum of Art. Her personal interest in collecting focused on New England furniture and 18th century coin silver spoons. She was instrumental in securing the Delhom Ceramics Collection for the Mint Museum of Art in Charlotte.
Carlisle Adams (1923-1996) graduated from Harvard University and Harvard Medical School and began collecting early American furniture and paintings during his freshman year of college to furnish a spartan dorm room. His eclectic tastes encompassed French fans and paintings, Italian furniture, and Persian rugs, his vast collection now residing at San Diego State University. He was a lifelong opera enthusiast, and he served on the boards of both the Charlotte Opera and the Charlotte Symphony.
the first a retablo depicting a male saint holding a crucifix and a palm frond, oil on tin mounted to two old boards and presented within an ebonized frame (Frame dimensions 20 1/2 x 16 1/2 in.); the second an ex voto of a man kneeling before an image of the Virgin Mary, with inscription and dated 1944, oil on tin mounted to an old board and presented within an ebonized frame (Frame dimensions 13 x 14 1/4 in.).
From the Collection of the late Dr. Margery Williams Adams and Dr. George Carlisle Adams, Charlotte, North Carolina
Margery and Carlisle Adams were lifelong patrons of the arts in their hometown of Charlotte, North Carolina. They met in Paris where they were both Fulbright Scholars, she studying at the Sorbonne, and he teaching Pediatrics to French physicians.
Margery (1921-2022) grew up in Worcester, MA. She graduated from Smith College, held a Masters and a Ph.D. in Art History from Radcliffe College (now Harvard University), and taught Art History at Radcliffe and Queens College in Charlotte. She inherited from her uncle - Frank Smith, a Worcester attorney - an extraordinary art collection of Italian antiques and works by early 20th century contemporary artists, the core of which has been donated to the Worcester Art Museum and Smith College Museum of Art. Her personal interest in collecting focused on New England furniture and 18th century coin silver spoons. She was instrumental in securing the Delhom Ceramics Collection for the Mint Museum of Art in Charlotte.
Carlisle Adams (1923-1996) graduated from Harvard University and Harvard Medical School and began collecting early American furniture and paintings during his freshman year of college to furnish a spartan dorm room. His eclectic tastes encompassed French fans and paintings, Italian furniture, and Persian rugs, his vast collection now residing at San Diego State University. He was a lifelong opera enthusiast, and he served on the boards of both the Charlotte Opera and the Charlotte Symphony.
Condition
Expected rubbing and denting to tin.
Buyer's Premium
- 25%
An Antique Mexican Retablo and a Vintage Ex Voto Painting
Estimate $50 - $25,000
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