Lot 0166

WILLIAM THEED

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(2) Otto U. Hofmann Mushroom garden stools: (2) Otto U. Hofmann Mushroom garden stools, painted steel, 20"h x 15"diameter, Manufactured By Otto U Hofmann, Third, Cayuga and Bodine Streets, Philadelphia, PA, Paint wear and chipping, surface rust

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2023(2) Otto U. Hofmann Mushroom garden stoolsSee Sold Price

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2023(2) Otto U. Hofmann Mushroom garden stoolsSee Sold Price

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2023(2) Otto U. Hofmann Mushroom garden stoolsSee Sold Price

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19TH C. PA DEACON’S BENCH.: Ca. 1830’s polychrome paint decorated Pennsylvania Deacon‘s bench with a single board poplar seat and turned legs, 34”H x 71.5”W x 24”D x 18”seat H.

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Gothic walnut and brass bench: Gothic walnut and brass bench, brass mounts, over carved base with iron decoration, 36"h x 77"w x 19"d

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Item Details

Description

(Trentham, 1804 - Londra, 1891)
Giunone e Cerere
Marmo, alt. cm 139,5, larg. cm 65 e 60, prof. cm 35
Firmate e datate W. Theed, Roma 1830 e 1831
Usure, alcune sbeccature e mancanza, graffi e difetti, restauri alle mani e nelle braccia
(2)

Noto come 'the younger', formatosi nella bottega del padre e in seguito presso la Royal Academy, giunse a Roma intorno al 1826 dove completò il suo apprendistato, probabilmente, con maestri del calibro di Bertel Thorvaldsen e Pietro Tenerani. Dopo circa un ventennio nella capitale italica e su richiesta dei reali inglesi, il Principe Alberto e la Regina Vittoria, realizzò alcune statue per Osborne House, sull'Isola di Wight. Nel 1848, definitivamente stabilito a Londra, fu al servizio (fino alla morte) della famiglia reale, con commesse per Westminster e Buckingham Palace.
Riguardo ai modelli scultorei, che forse hanno ispirato il Theed nella realizzazione dei nostri, un confronto pare plausibile con alcuni celebri marmi colossali di epoca imperiale; e ci riferiamo alla cosiddetta Giunone Cesi, oggi ai Musei Capitolini (AA. VV., I giorni di Roma, L'Età della conquista, catalogo della mostra a cura di, Roma Marzo-Settembre 2010, pp. 170-171, 259, n. I.18), alla Cerere/Demetra del Vaticano (Museo Pio Clementino) e a quella analoga, nelle collezioni del Museo Nazionale Romano (AA.VV., Scultura antica in Palazzo Altemps, Milano 2022, pp. 42-43).