7 MUSEUM ART BOOKS AND PRINTS

2 Metropolitan Museum of Art: Semiars in Art - Expressionism and The Artist, both have prints stored in book. 18th Century Italian Drawings in the Metropolitan Museum of Art. Louvre Paris. Art Treasures of the Vatican. The Hermitage. The Museum of Modern Art: Alberto Giamometti.

10" X 13"


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Image Text

Image 1:



ART
TREASURES
OF
18TH CENTURY
LOUVRE PARIS
ITALIAN
DRAWINGS
in The Metropolitan
Museum of Art
GREAT
MUSEUMS
OF THE
WORLD
METROPOLITAN
SEMINARS
SEMI
E HERMITAGE
IN ART
IN
BY JOHN CANADAY
PORTFOLIO 3. EXPRESSIONISM
THE METROPOLITAN MUSEUM OF ART
alberto giacometti
PORTFOL
THE M
ART
TREASURES
OF
18TH
CENTURY
LOUVRE
PARIS
ITALIAN
DRAWINGS
in
The
Metropolitan
Museum
of
Art
Painting
GREAT
MUSEUMS
OF THE
WORLD
METROPOLITAN
SEMINARS
SEMI
E
HERMITAGE
IN
ART
IN
BY
JOHN
CANADAY
PORTFOLIO
EXPRESSIONISM
THE
METROPOLITAN
MUSEUM
OF
ART
alberto
giacometti
PORTFOL
THE
M

Image 2:



ETRVS
This publication has been made possible in part by the Samuel I Newhouse Foundation.
ON THE COVER/JACKET Reduced detail of Francesco Guardi, No. IOO.
IT
DRA
in The M
Museur
The Metropolitan Museum of Art, New York
John P. O'Neill, Editor in Chief
Teresa Egan, Managing Editor
Georgette Byk Felix, Editor
and
Matthew Pimm, Production
Peter Oldenburg, Designer
WILLIAM G
This volume de
ings by Italian
tury in the m
the drawings F
Copyright © 1990 by The Metropolitan Museum of Art
references, pro
purpose of
ETRVS
This
publication
has
been
made
possible
in
part
by
the
Samuel
Newhouse
18TH
ON
THE
Reduced
detail
of
Francesco
Guardi,
No.
IT
Giovanni
Battista
Tiepolo,
No.
DRA
in
The
M
Museur
The
Metropolitan
Museum
of
Art,
New
York
John
P.
O'Neill,
Editor
in
Chief
by
JACOB
Teresa
Egan,
Managing
Editor
Georgette
Byk
Felix,
Editor
and
Matthew
Pimm,
Production
Peter
Oldenburg,
Designer
WILLIAM
G
This
volume
de
ings
by
Italian
tury
in
the
m
the
drawings
F
Copyright
©
by
The
Metropolitan
Museum
of
Art
references,
pro
purpose
of

Image 3:



GREAT MUSEUMS
OF THE WORLD
Editorial Director-Carlo Ludovico Ragghianti
Assistant-Giuliana Nannicini
Translation and Editing-Editors of ARTNEWS
To tour the Lou
encyclopedic of
unfolding of art
the 20th centur
great works of a
LOUVRE
reproduced in f
heart of the Lo
the Museum's
PARIS
its great collect
In this book
Texts by:
together with S
Gigetta Dalli Regoli
Mona Lisa and
Decio Gioseffi
are scores of m
Gian Lorenzo Mellini
that startle by
Licia Ragghianti Collobi
beauty-each a
Pier Carlo Santini
reflect all the S
Design:
collections-fr
Fiorenzo Giorgi
Mesopotamia,
and Death, to
Greek and Ron
deities of Bibli
GREAT
MUSEUMS
OF
THE
WORLD
Editorial
Director-Carlo
Ludovico
Ragghianti
Assistant-Giuliana
Nannicini
Translation
and
Editing-Editors
of
ARTNEWS
To
tour
the
encyclopedic
of
unfolding
of
art
the
20th
centur
great
works
of
a
LOUVRE
reproduced
in
f
heart
of
the
the
Museum's
PARIS
its
great
collect
In
this
book
Texts
by:
together
with
S
Gigetta
Dalli
Regoli
Mona
Lisa
and
Decio
Gioseffi
are
scores
of
m
Gian
Lorenzo
Mellini
that
startle
by
Licia
Ragghianti
Collobi
beauty-each
a
Pier
Carlo
Santini
interpretive
reflect
all
the
Design:
collections-fr
Fiorenzo
Giorgi
Mesopotamia,
and
Death,
to
Greek
and
deities
of
Bibli

Image 4:



PETRVS
BAUGIN
1630
(circa
GEORGES DE LA TOUR Mary Magdalene
Georges de
Tour two with Oil saint, Lamp. one illus-
trated here and La Mary painted Magdalene at pictures Her Mirror of the in the Fabius the Collec
tion. Both pictures show a absorbed
resting skull the woman of 2 which in illuminates
darkly shadowed on a by space. light use lamp the just barely the very slight a
meditation, with hand
variation in subject matter The suggest of close same relation model between and the pictures.
The art of La Tour nostalgically a reminiscent of the
PETRVS
SVPER
BAUGIN
1630
(circa
GEORGES
DE
LA
Mary
Magdalene
Georges
de
Tour
two
with
Oil
saint,
one
trated
and
La
Mary
painted
Magdalene
at
pictures
Her
Mirror
of
the
in
the
Fabius
the
tion.
Both
pictures
show
a
absorbed
resting
skull
the
woman
of
which
in
illuminates
darkly
on
a
by
space.
light
use
lamp
the
just
barely
the
very
slight
a
meditation,
with
variation
in
subject
matter
The
suggest
of
close
same
relation
model
between
and
the
pictures.
The
art
of
La
Tour
nostalgically
a
reminiscent
of
the

Image 5:



Art Trea
of the Va
410 COLOR ILL
'Exhausted, I sat do
from the dizzying e
to the Vatican.'
Herman Melville
to have experience
tion after absorbin
Vatican; year afte
and art lovers stan
the world. Here is
those who have ne
of the Papal kingd
visit, and for thos
privilege to relive t
of art in itself, illust
four hundred pictu
plified by an info
text compiled by a
specialists that will
historians, architec
ART TREASURES OF THE VATICAN
as well as the devou
Redig de Campos, Editor
Included are sectio
the palaces,
Art
Trea
of
the
Va
410
COLOR
ILL
'Exhausted,
I
sat
do
from
the
dizzying
to
the
Herman
Melville
to
have
experience
tion
after
absorbin
Vatican;
year
afte
and
art
lovers
stan
the
most
the
world.
Here
is
those
who
have
of
the
Papal
kingd
visit,
and
for
privilege
to
relive
t
Art
Treasures
of
of art
in
itself,
illust
four
hundred
pictu
plified
by
an
text
compiled
by
a
specialists
that
will
historians,
architec
ART
TREASURES
OF
THE
VATICAN
as
well
as
the
devou
Redig
de
Campos,
Editor
Included
are
sectio
the
palaces,

Image 6:



lower right 185) The prophet Isaiah
of A
410
'Exh
from
to th
tion
Vati
and
the
the
those
of th
visit,
privi
four
plifie
text
speci
histo
Inclu
gia A
Arch
and
This
ished
center
The
Ezekiel
right
The
left
The
Libyan
lower
right
185)
The
Isaiah
lower
left
182)
The
Persian
of
A
410
'Exh
from
to
th
tion
Vati
and
the
the
those
of th
visit,
privi
four
plifie
text
speci
histo
as
Inclu
gia
A
Arch
the
and
This
ished
for

Image 7:



EXPRESSIONISM
The Painter and the World He Creates
ings
are
going
will be
more
intense
and on the
whole more
personal
the
one
has a
individual
the
but
more sharply
individualized
the
dramatically
his own
sometimes
point
of eccentricity
This
for interpretation
natura
painter
But
so
1958 by The Metropolitan
copied
the
appearance
of
Harnett,
and
(Plate
moody
tempestuous
and
modified
subtly
that
one around
EXPRESSIONISM
The
Painter
and
the
World
Creates
around the
ings
are
going
will be
idea
experience
painting
second
we looked
more
intense
and on the
whole more
personal
the
one
ings within the
series
of paint
has a
individual
the
but
more sharply
Each realistic
painter
individualized
the
dramatically
his
own
sometimes
point
of eccentricity
This
for
interpretation
natura
painter
But
so
1958 by
The
Metropolitan
copied
the
appearance
of
more
dividuality
reflecting the
is quite
probing
Harnett,
and
(Plate
moody
tempestuous
and
modified
subtly
that
one
around

Image 8:



TO
PROTECT YOUR
COLOR PRINTS-
KEEP THEM IN
THIS ENVELOPE
PLATE PAINTED CROSS Master of the Saint Francis Legend The Philadelphia Museum of Art
PLATE 33 CHRIST ON THE CROSS Rubens
Head of the Virgin from THE ANNUNCIA
TO
PROTECT
YOUR
COLOR
PRINTS-
KEEP
THEM
IN
THIS
ENVELOPE
PLATE
PAINTED
CROSS
Master of
the
Saint
Francis
Legend
The Philadelphia
Museum of
Art
PLATE
34
CHRIST
ON
THE
CROSS
PLATE 33
CHRIST
ON
THE
CROSS
Rubens
Head
of the
Virgin
from
THE

Image 9:



THE ARTIST
The Artist as a Visionary
IS our portfolio in a series of
suitable points of departure for the under-
twelve discussions intended an
standing others, but
even
these
key
true
ha
meaning
end
asked
picture
personal
first
defined
which
the
and
abstraction
called
painting
th
overlapping
painting
pictorial
relationship
besides
means
getting
followed
Bosch
PLATE 133
Renoir
THE
ARTIST
The
Artist
as
a
Visionary
portfolio
of
suitable
points
of
departure
for
the
under-
twelve
discussions
intended
standing
others,
but
even
these
key
true
ha
the
meaning
pictures
the
question
W
end
asked
picture
personal
first
defined
which
the
and
abstraction
called
painting
th
overlapping
painting
pictorial
relationship
besides
means
getting
elements
the
followed
Bosch
PLATE 133
Renoir
THE
DEAD
CATSKILLS
Cole
PLATE
THE PRINT
Daumier
PLATE

Image 10:



TO
PROTECT YOUR
COLOR PRINTS-
KEEP THEM
IN
THIS
ENVELOPE
PLATE 143 DEMON AS PIRATE Klee The Philadelphia Museum of Art
TO
PROTECT
YOUR
COLOR
PRINTS-
KEEP THEM
IN
THIS
ENVELOPE
Manet
PLATE 137
APPARITION OF FACE
AND
FRUIT
DISH
ON
Dali
The Wadsworth
Atheneum
DEMON
AS PIRATE
Klee
The Philadelphia
Museum of Art
ISLAND
THE
DEAD
Bocklin
The
Metropolitan



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