Jim Dine (American, 1935-) Lithograph Print. Title - Multi Colored Robe. Color lithograph print. Image size measures 33.3 inches high, 22.3 inches wide. Sheet size measures 38.7 inches high, 28.3 inches wide. Signed in pencil lower left J. Dine 1986. Edition 4/20. In good condition. Mounted with tape backed corners. Not laid down. Included with the print is the original 1986 invoice from Pace Editions Inc. Gallery in New York with the purchase price of $5,200. Also included is a signed by the artist Jim Dine - Prints catalog that includes other Robe series prints and a Jim Dine hardback book titled Five Themes along with other Jim Dine catalogs.

From Askart: Jim Dine (1935- ) studied at night at the Cincinnati Art Academy during his senior year of high school, and then attended the University of Cincinnati, the School of the Museum of Fine Arts, Boston, and Ohio University, Athens, from which he received his B.F.A. in 1957. Dine moved to New York in 1959 and soon became a pioneer creator of 'Happenings' together with Allan Kaprow, Claes Oldenburg, and Robert Whitman. He exhibited at the Judson Gallery, New York, in 1958 and 1959, and his first solo show took place at the Reuben Gallery, New York, in 1960. Dine is closely associated with the development of Pop Art in the early 1960s. Frequently he affixed everyday objects, such as tools, rope, shoes, neckties, and other articles of clothing, and even a bathroom sink, to his canvases. Characteristically, these objects were Dine's personal possessions. This autobiographical content was evident in Dine's early works and appeared as well in subsequent recurrent themes and images, such as the Palettes, Hearts (homage to his wife, Nancy), and Bathrobe Self-Portraits. Jim Dine first used the image of a man's bathrobe, with the man airbrushed out of it, to create a self-portrait in 1964. Working from that same ad clipped out of The New York Times, he has repeated the theme of himself as an unseen figure in a robe ever since. The ad shows a robe, said Dine, it somehow looked like me, and I thought I'd make that a symbol for me. In 1976 Dine produced a series of large-scale paintings and original prints of invisible men in monumental bathrobes. The works reflect his new attention to drawing and painterly techniques to achieve a quieter, more romantic and sensual effect. Dine has noted that the robes have become much more mysterious than they used to be and that's because I understand them more. Dine has also made a number of three-dimensional works and environments, and is well-known for his drawings and graphic prints. He has written and illustrated several books of poetry. Dine has been given solo shows in museums in Europe and the United States. In 1970, the Whitney Museum of American Art, New York, organized a major retrospective of his work, and in 1978 the Museum of Modern Art, New York, presented a retrospective of his etchings. Dine lives in New York and Vermont. Select Museum Collections: Guggenheim Museum, New York; The British Museum, London; Hirshhorn Museum, Washington, DC; Smithsonian Institution, Washington, DC; The National Gallery of Art, Washington, DC; Minneapolis Institute of Arts, MN; Kemper Museum of Contemporary Art, MO; Baltimore Museum of Art, MD; and Museum of Contemporary Art, Los Angeles

Condition listed in the description