Dish; China, Kangxi period, 1662-1722.
Porcelain.
With seal on the base.
Provenance: private collection conceived since the 1970s between London and Madrid.
Measurements: 36 cm (diameter).
Dish of plot with profuse decoration that counts on the wing and the bottom completely decorated, conforming in its set floral motives. The piece follows models from the Kangxi period. The Kangxi Emperor was one of the most important monarchs in Chinese history, and in fact his reign of 61 years, which paralleled that of Louis XIV in France, was the longest in Chinese history and established the power of the new Qing dynasty. It was a period of cultural splendour, thanks in large part to the emperor's own intense artistic patronage. As the Qing was a dynasty of foreign (Manchu) origin, Kangxi strove to assert his legitimacy as China's absolute monarch by striking a balance between respect for Manchu traditions and Chinese forms of government, and by assuming the role of an enlightened ruler on the Confucian model. The emperor himself practised calligraphy and painting, the two most highly regarded arts in China, and maintained Zhu Xi's Neo-Confucian canon as the standard of culture on which the imperial examinations were based. In this way, the Kangxi Emperor promoted the idea of the new dynasty as the legitimate successor of the previous Ming dynasty, extolling the achievements of the former Ming dynasty. The emperor did a great deal to support literature, and also promoted the fine arts. In 1661, the imperial workshops were founded in Beijing, where sumptuary objects were produced for the court, ranging from porcelain to paintings and ritual objects. Silk production workshops were also established at this time in the southern cities of Suzhou, Hangzhou and Jiangning.