ITEE POOTOOGOOK, INUIT, Moved from Chesterfield Inlet to Rankin Inlet, 2013
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Description
ITEE POOTOOGOOK (1951-2014) KINNGAIT (CAPE DORSET)
Moved from Chesterfield Inlet to Rankin Inlet, 2013
coloured pencil and graphite on paper, 19.5 x 25.5 in (49.5 x 64.8 cm), framed
titled, signed, and dated in the lower margin, "Moved from Chesterfield Inlet to Rankin Inlet / Itee Pootoogook / 2013".
Provenance
Marion Scott Gallery, Vancouver;
Collection of John and Joyce Price, Seattle.
This deceptively simple drawing of the view from inside an airplane is a classic example of Itee Pootoogook’s genius. He was able to interpret the details of a photograph so masterfully that the image became merely a starting point for a beautiful drawing. Simple gradations of pastel colours indicate the snow-covered land giving way to the distant horizon and cloud-filled sky. The diagonal of the plane’s wing is used as a counterpoint to the vast, seemingly endless Arctic landscape.
Born in Kimmirut (Lake Harbour), Itee moved to Kinngait with his family as a child. Although he pursued several activities, including creating animation for an award-winning National Film Board film in 1973 [1], it was only later in life that he began drawing. As with this work, his inspiration often came from photos, either taken by himself or his studio colleagues. There is a stillness and eternal quality found in Itee’s drawings, one which, as Ingo Hessel has pointed out, is, “more reminiscent of the works of the southern Canadian artist Christopher Pratt than any of Itee’s peers ...” [2].
1. Itee Pootoogook et al, Animation from Cape Dorset, NFB, 1973
2. Ingo Hessel, “The World Discovers ‘Eskimos’”, Inuit Modern, 2010, p. 192
References: A similar landscape drawing by Itee is reproduced in Gerald McMaster, ed., Inuit Modern: The Samuel and Esther Sarick Collection, (Toronto: Art Gallery of Ontario, 2010, p. 205 and back cover. Itee did not create only landscape drawings; for important drawings of other themes see ibid., pp. 102, 204; See also Jessica Newton, “Itee Pootoogook: A Comfort Level in the Medium,” Inuit Art Quarterly, Vol. 25, No. 3, Fall 2010; see also Sandra Dyck,”Itee Pootoogook: Drawing on Photographs”, Inuit Art Quarterly, Vol. 29, No. 4, Winter 2016.
Moved from Chesterfield Inlet to Rankin Inlet, 2013
coloured pencil and graphite on paper, 19.5 x 25.5 in (49.5 x 64.8 cm), framed
titled, signed, and dated in the lower margin, "Moved from Chesterfield Inlet to Rankin Inlet / Itee Pootoogook / 2013".
Provenance
Marion Scott Gallery, Vancouver;
Collection of John and Joyce Price, Seattle.
This deceptively simple drawing of the view from inside an airplane is a classic example of Itee Pootoogook’s genius. He was able to interpret the details of a photograph so masterfully that the image became merely a starting point for a beautiful drawing. Simple gradations of pastel colours indicate the snow-covered land giving way to the distant horizon and cloud-filled sky. The diagonal of the plane’s wing is used as a counterpoint to the vast, seemingly endless Arctic landscape.
Born in Kimmirut (Lake Harbour), Itee moved to Kinngait with his family as a child. Although he pursued several activities, including creating animation for an award-winning National Film Board film in 1973 [1], it was only later in life that he began drawing. As with this work, his inspiration often came from photos, either taken by himself or his studio colleagues. There is a stillness and eternal quality found in Itee’s drawings, one which, as Ingo Hessel has pointed out, is, “more reminiscent of the works of the southern Canadian artist Christopher Pratt than any of Itee’s peers ...” [2].
1. Itee Pootoogook et al, Animation from Cape Dorset, NFB, 1973
2. Ingo Hessel, “The World Discovers ‘Eskimos’”, Inuit Modern, 2010, p. 192
References: A similar landscape drawing by Itee is reproduced in Gerald McMaster, ed., Inuit Modern: The Samuel and Esther Sarick Collection, (Toronto: Art Gallery of Ontario, 2010, p. 205 and back cover. Itee did not create only landscape drawings; for important drawings of other themes see ibid., pp. 102, 204; See also Jessica Newton, “Itee Pootoogook: A Comfort Level in the Medium,” Inuit Art Quarterly, Vol. 25, No. 3, Fall 2010; see also Sandra Dyck,”Itee Pootoogook: Drawing on Photographs”, Inuit Art Quarterly, Vol. 29, No. 4, Winter 2016.
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NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
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ITEE POOTOOGOOK, INUIT, Moved from Chesterfield Inlet to Rankin Inlet, 2013
Estimate CA$2,500 - CA$3,500
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