SALVADOR DALà I DOMÈNECH (Figueras, Girona, 1904 - 1989). "Two Sailors", ca.1925. Pencil, graphite
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SALVADOR DALà I DOMÈNECH (Figueras, Girona, 1904 - 1989).
"Two Sailors", ca.1925.
Pencil, graphite and blue pencil on paper.
Attached certificate issued by Archives Descharnes (20/06/2022).
Attached notary's note from Salvador Dalà CusÃ, the artist's father.
Signed in ink in the lower right-hand corner.
Measurements: 22.1 x 15.9 cm.
Drawing from Salvador DalÃ's youth, probably done during his student period in the mid-1920s. The theme of sailors interested the avant-garde artists, as allegories of wandering souls, of bohemia, wandering from port to port, bearers of fleeting loves.
Salvador Dalà is undoubtedly one of the most important artistic personalities of the 20th century. In his early years, Dalà discovered contemporary painting during a family visit to Cadaqués, where he met the family of Ramon Pichot, an artist who travelled regularly to Paris. Following Pichot's advice, Dalà began to study painting with Juan Núñez. In 1922, Dalà stayed at the famous Residencia de Estudiantes in Madrid to begin studying Fine Arts at the San Fernando Academy. However, before his final exams in 1926, he was expelled for claiming that there was no one there fit to examine him. That same year Dalà travelled to Paris for the first time. There he met Picasso, and established certain formal characteristics that were to become distinctive of all his work from then on. His language absorbed the influences of many artistic styles, from classical academicism to the most groundbreaking avant-garde. At that time, the painter grew an eye-catching moustache that imitated Velázquez's and would become his personal hallmark for the rest of his life. In 1929, Dalà collaborated with Luis Buñuel in the making of "An Andalusian Dog", which showed scenes typical of the surrealist imaginary. In August of the same year he met his muse and future wife Gala. During this period Dalà held regular exhibitions in both Barcelona and Paris, and joined the Surrealist group based in the Montparnasse district of Paris. His work greatly influenced the direction of Surrealism for the next two years, and he was acclaimed as the creator of the paranoiac-critical method, which was said to help access the subconscious by releasing creative artistic energies. The painter landed in America in 1934, thanks to the art dealer Julian Levy. Following his first solo exhibition in New York his international reputation was definitively consolidated, and from then on he showed his work and gave lectures all over the world. Most of his production is housed in the Dalà Theatre-Museum in Figueras, followed by the collection of the Salvador Dalà Museum in St. Petersburg (Florida), the Reina SofÃa in Madrid, the Salvador Dalà Gallery in Pacific Palisades (California), the Espace Dalà in Montmartre (Paris) and the Dalà Universe in London.
"Two Sailors", ca.1925.
Pencil, graphite and blue pencil on paper.
Attached certificate issued by Archives Descharnes (20/06/2022).
Attached notary's note from Salvador Dalà CusÃ, the artist's father.
Signed in ink in the lower right-hand corner.
Measurements: 22.1 x 15.9 cm.
Drawing from Salvador DalÃ's youth, probably done during his student period in the mid-1920s. The theme of sailors interested the avant-garde artists, as allegories of wandering souls, of bohemia, wandering from port to port, bearers of fleeting loves.
Salvador Dalà is undoubtedly one of the most important artistic personalities of the 20th century. In his early years, Dalà discovered contemporary painting during a family visit to Cadaqués, where he met the family of Ramon Pichot, an artist who travelled regularly to Paris. Following Pichot's advice, Dalà began to study painting with Juan Núñez. In 1922, Dalà stayed at the famous Residencia de Estudiantes in Madrid to begin studying Fine Arts at the San Fernando Academy. However, before his final exams in 1926, he was expelled for claiming that there was no one there fit to examine him. That same year Dalà travelled to Paris for the first time. There he met Picasso, and established certain formal characteristics that were to become distinctive of all his work from then on. His language absorbed the influences of many artistic styles, from classical academicism to the most groundbreaking avant-garde. At that time, the painter grew an eye-catching moustache that imitated Velázquez's and would become his personal hallmark for the rest of his life. In 1929, Dalà collaborated with Luis Buñuel in the making of "An Andalusian Dog", which showed scenes typical of the surrealist imaginary. In August of the same year he met his muse and future wife Gala. During this period Dalà held regular exhibitions in both Barcelona and Paris, and joined the Surrealist group based in the Montparnasse district of Paris. His work greatly influenced the direction of Surrealism for the next two years, and he was acclaimed as the creator of the paranoiac-critical method, which was said to help access the subconscious by releasing creative artistic energies. The painter landed in America in 1934, thanks to the art dealer Julian Levy. Following his first solo exhibition in New York his international reputation was definitively consolidated, and from then on he showed his work and gave lectures all over the world. Most of his production is housed in the Dalà Theatre-Museum in Figueras, followed by the collection of the Salvador Dalà Museum in St. Petersburg (Florida), the Reina SofÃa in Madrid, the Salvador Dalà Gallery in Pacific Palisades (California), the Espace Dalà in Montmartre (Paris) and the Dalà Universe in London.
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SALVADOR DALà I DOMÈNECH (Figueras, Girona, 1904 - 1989). "Two Sailors", ca.1925. Pencil, graphite
Estimate €6,000 - €8,000
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